Awfully trite, but distinguished by delicious, sharply observed scenes of San Francisco’s various neighborhoods and...



Debut fiction from memoirist Holm (The Toaster Broke So We’re Getting Married, 2002) charts a year in the lives of a group of San Franciscans struggling to find love, maintain love, get over lost love.

After two miscarriages, Macie and her husband, Harlan, now have mechanical sex timed to the results of her ovulation tests. “The firecracker he’d married, with the scathing wit and the survivalist’s demeanor, seemed to be disappearing in front of him,” Harlan thinks. Ergo, the formula goes, he’s a sitting duck for a sluttily dressed “birdcage dancer” named Sophia, who brings him home to her mirrored apartment in a converted firehouse and brings lust back into his life. Before long, Harlan has ’fessed up to Macie, moved out and found his own place. His landlady, Dawn, is a single mom who has recently split up with a long-time partner and moved into a house on a hill with her nine-year-old daughter, Jewel. Harlan tries to write a screenplay. Macie continues her quest to become a mother by trying artificial insemination. Sophia takes a string of ridiculous gigs, like standing on street corners in Vegas-style costumes to be picked up by busloads of Japanese tourists. Dawn transforms her talent for drawing bugs into a paying job in pest control and tries to keep up with Jewel, a delightful, vividly drawn character who walks away with most of the story. Harlan helps Dawn and Jewel transform the messy backyard into a garden with exotic plants. Dawn’s ex gets engaged, reviving her own ambiguity about the state of marriage (Jewel is the result of a drunken one-night stand with a man who was in costume at the time). Then Macie becomes pregnant, and—guess what?—Harlan begins to find Sophia not so seductive after all.

Awfully trite, but distinguished by delicious, sharply observed scenes of San Francisco’s various neighborhoods and inimitable seasons.

Pub Date: May 17, 2005

ISBN: 1-59692-118-8

Page Count: 230

Publisher: MacAdam/Cage

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2005

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A clever, romantic, sexy love story.

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The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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Another success for the publishing phenom.


An abused boy fights back, escapes, then returns as an attorney to his beloved hometown, but just as he’s falling in love with a transplanted landscaper, a series of attacks from shadowy enemies jeopardizes their happiness.

“From the outside, the house in Lakeview Terrace looked perfect.” Which of course means that it wasn't. We're introduced to the horrifying Dr. Graham Bigelow, who beats his wife and, increasingly as the boy gets older, his son, Zane. On the night of Zane’s prom, a particularly savage attack puts him and his sister in the hospital, and his father blames Zane, landing him in jail. Then his sister stands up for him, enlisting the aid of their aunt, and everything changes, mainly due to Zane’s secret diaries. Nearly 20 years later, Zane leaves a successful career as a lawyer to return to Lakeview, where his aunt and sister live with their families, deciding to hang a shingle as a small-town lawyer. Then he meets Darby McCray, the landscaper who’s recently relocated and taken the town by storm, starting with the transformation of his family’s rental bungalows. The two are instantly intrigued by each other, but they move slowly into a relationship neither is looking for. Darby has a violent past of her own, so she is more than willing to take on the risk of antagonizing a boorish local family when she and Zane help an abused wife. Suddenly Zane and Darby face one attack after another, and even as they grow ever closer under the pressure, the dangers become more insidious. Roberts’ latest title feels a little long and the story is slightly cumbersome, but her greatest strength is in making the reader feel connected to her characters, so “unnecessary details” can also charm and engage.

Another success for the publishing phenom.

Pub Date: July 9, 2019

ISBN: 978-1-250-20709-8

Page Count: 448

Publisher: St. Martin's

Review Posted Online: April 14, 2019

Kirkus Reviews Issue: May 1, 2019

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