A warm, if understated, title about the struggle for equality.

READ REVIEW

AS FAST AS WORDS COULD FLY

A tribute to her father, Tuck’s school desegregation story highlights an African-American boy’s triumph in a typing tournament.

Mason Steele (the fictionalized version of Tuck’s father, Moses Teel Jr.) is a 14-year-old who helps his father’s civil rights group by writing letters for them. Impressed and grateful, the group presents him with a manual typewriter, which proves useful when Mason and his siblings desegregate a public school in their home state of North Carolina and encounter overt hostility and discrimination. He nevertheless excels and earns the honor of representing his school in a countywide typing tournament—a position racist administrators grant him to avoid trouble with the Board of Education after he scores highest in his typing class. The other competitors choose electric typewriters, but although he realizes that he will lose time, Mason selects a manual typewriter, later saying “[I]t reminds me of where I come from.” And he wins. The victory’s drama seems woefully understated, however, especially since Velasquez’s accompanying oil paintings never show the children typing, instead depicting moments before and after the competition. And yet, although he lacks celebration from those outside his family, Mason is proud, knowing “his words typed on paper had already spoken for him—loud and clear.”

A warm, if understated, title about the struggle for equality. (author’s note) (Picture book. 5-8)

Pub Date: April 1, 2013

ISBN: 978-1-60060-348-8

Page Count: 40

Publisher: Lee & Low Books

Review Posted Online: Feb. 27, 2013

Kirkus Reviews Issue: March 15, 2013

Did you like this book?

No Comments Yet

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

Did you like this book?

No Comments Yet

A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

Did you like this book?

No Comments Yet
more