TWAS THE NIGHT

THE ART AND HISTORY OF THE CLASSIC CHRISTMAS POEM

A delightful and informative exploration of “A Visit From St. Nicholas” for the holiday season.

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A nonfiction book offers an in-depth look at the creation and history of a classic Christmas poem.

In celebration of the bicentennial of the Christmas season’s most well-known and oft-recited poem, “A Visit From St. Nicholas” (also commonly referred to as “ ’Twas the Night Before Christmas”), McColl provides a collection of illustrations, snippets of literature, and historical tidbits related to Clement Clark Moore’s renowned rhyme. The author’s illuminating peek into the formulation and reception of the poem is well organized, with lovely, colorful images from various sources peppering the pages of text. Readers are given not only the background of the poem—written in 1822 and published in 1823—but also the origins of St. Nicholas and the varying cultural customs tied to Christmas throughout history. For example, McColl notes how Saturnalia was “the most popular festival in the Julian calendar” before Christianity became widespread. Similarly, readers can examine the use of Santa Claus’ image in popular culture—he appears in an Andy Warhol series—and how the belief in witchcraft in Colonial New England affected the region’s holiday celebrations. A highlight of the author’s extensive compilation turns out to be the holiday poems interspersed throughout, such as Louisa May Alcott’s “A Song for a Christmas Tree” (1871) and Henry Wadsworth Longfellow’s “Christmas Bells” (1863). McColl’s book, which seeks to present “selected images, along with dozens of literary excerpts, to illustrate the way in which…’Twas the Night, drew inspiration from the historical record of artistic expression and winter celebrations in western culture,” does just that. Though mainly told through quotes or passages from others, with some of her own observations sprinkled in between, the author’s commemoration is a detailed, thorough, and beautiful work for lovers of Christmas and fans of the holiday’s most famous poem.

A delightful and informative exploration of “A Visit From St. Nicholas” for the holiday season.

Pub Date: Sept. 8, 2022

ISBN: 978-1-927979-30-3

Page Count: 264

Publisher: Grafton and Scratch

Review Posted Online: Aug. 20, 2022

Kirkus Reviews Issue: Oct. 1, 2022

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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