These fledgling ghost busters and their adventures should enchant readers.
Three amiable, young ghost hunters learn lessons the hard way in this second installment of a middle-grade mystery series.
Pekin Dewlap grew up in the spirit world, able to see ghosts. But when the teenage Pekin hadn’t seen any since age 12, she missed the talent that made her feel special. So she started a ghost-busting business with her best friends, Amber and Scout. Later, Pekin developed a crush on Scout. In this second outing, the trio is recruited by the Dwyers, who wish to help their longtime ghost, a crying woman searching for her missing baby, to cross over. After talking with the Dwyers’ elderly neighbors, the Mastersons, the teens identify the spirit as Lily Grayson, who died during childbirth in the house. Shortly after Lily’s death, her husband, Ron, sold the place, then moved away with their infant daughter, Violet. But identifying Lily is only their first challenge. Lily reacts violently when Pekin tries to talk to her about Violet. Ron and Violet reject the team’s efforts to bring them to the Dwyers’ house. The friends then seek aid from their mentor, Mildew, and friendly ghost Miranda, whom they rescued in McCord’s (The Haunting of Elmwood Manor, 2019) series opener. This time out, the author shows the growth of Pekin, Amber, and Scout. Mildew offers them the opportunity to learn from her experiences, teaching them the tricks of the trade so they’re more prepared for danger. That promises to become even more important in future volumes, as McCord foreshadows Pekin’s starting to regain her paranormal ability. The friends also discover that every ghost requires different handling methods. On the personal side, while Amber is blissful in a relationship with jock Josh Parker, Pekin and Scout are stuck in romantic limbo, which interferes with their case until stress leads to a breakthrough. This sequel, with no villain, does lack the suspense of the first volume. And even though the ghost hunt only lasts a week, the pace seems too leisurely, with the teens having time for normal activities while on duty at the Dwyers’ home. Still, this charming mystery remains a step forward for the trio’s Ghost Company.
These fledgling ghost busters and their adventures should enchant readers.Pub Date: Oct. 29, 2019
ISBN: 978-1-947392-73-1
Page Count: 225
Publisher: Acorn Publishing
Review Posted Online: Jan. 17, 2020
Kirkus Reviews Issue: March 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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