An engaging and detailed portrait of a 20th-century woman and the communities she tended.

BLOOMING IN WINTER

THE STORY OF A REMARKABLE TWENTIETH-CENTURY WOMAN

A biography focuses on a venerable woman who left her mark on Berkeley, California.

“Where did Jacomena Adriana van Huizen come from, and how did she become Jackie Maybeck?” Valois asks before launching into her story about the life of her close friend and sometime landlord. Born to Dutch immigrants, van Huizen arrived in California as a young child at the tail end of the gold rush, and her parents fell in love with the countryside east of Berkeley. The family became friendly with the Maybecks, introducing van Huizen to her future husband, Wallen, and future father-in-law, Bernard, a visionary architect who designed more than 150 distinctive buildings in the area. The Maybeck clan would rotate between Bernard’s different houses as it weathered cultural shifts, the Depression, and wars—with Jackie Maybeck and her husband eventually creating their own street named for their daughters: “Maybeck Twin Drive.” Valois documents every move, property, and mood of her subject throughout these changes, leading up to the moment that the author herself met Maybeck as a warm, welcoming widow devoted to art and her family’s properties: “My chore is the hill. I feel that I am the last of the Maybecks.” Valois’ careful selection of quotes from Maybeck’s contradictory, “Rashomon-like” diaries are deployed to great effect, furthering the vision of a charming woman anyone would love to know. (Most intriguing are the author’s interpretations of Maybeck’s lengthy story “Journey: Small Adventure” as a thinly disguised autofiction about time spent in Europe after World War II.) Valois is overly concerned with the details of who lived where and when at times, to the detriment of her biography’s main strength: the familial communities centered on Maybeck and her Berkeley homes. But the author’s deep respect for the woman shines through on every page. In the end, the account feels like a nostalgic conversation about a deeply loved, mutual friend.

An engaging and detailed portrait of a 20th-century woman and the communities she tended.

Pub Date: June 29, 2021

ISBN: 978-1-64742-116-8

Page Count: 265

Publisher: She Writes Press

Review Posted Online: March 24, 2021

Kirkus Reviews Issue: June 1, 2021

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

A conversational, pleasurable look into McConaughey’s life and thought.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

Did you like this book?

more