A sophisticated, comic novel that brilliantly captures the triumph and folly of art, media, and publishing.

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The Dead of August

A London obituary writer is called to the home of a reclusive artist with a mysterious agenda in Cacoyannis’ debut novel.

James Linthwaite works for the Herald, a London tabloid that’s gaining popularity because of his innovative, witty obituaries. He’s become semifamous around town, but his notoriety is nothing compared with his wife June’s. She’s the author of “posh porn” books, including a bestseller called Susan’s Phallacy that’s flying off the shelves. Although James and June consider her writing to be a radical feminist take on erotic fiction, everyone else simply considers it fairly well-written smut. The Linthwaites have a teenage son named Josh who’s just beginning to have some sexual adventures of his own. Amid success at work and at home, James nonetheless finds his life to be inwardly and outwardly in turmoil, as suggestions of affairs, fears about his marriage’s longevity, and a few alcohol-poisoned nights lead him down some seriously confused paths. Then James’ editor asks him to go on a particularly odd assignment to meet an artist in the south of England. A recluse named Max has invited three writers to his home, each instructed to spend time with him and then write his 900-word obituary. The purpose of the exercise will be revealed later, during an art event, and its consequences will affect James and his career in numerous ways. Cacoyannis writes in a breezy yet erudite way, with eloquent language and insight sharing space with truly funny running jokes. James’ life is at once complicated and complete, imperfect and scary, but somehow just as it should be. The depiction of James and June’s marriage is particularly impressive; the author writes with such passion about insecurities, lust, violence, and love that the characters’ faults and flaws only make them more vivid. The Linthwaites are intellectual but not always politically correct, and they love Pedro Almodóvar films and good wine with venison steaks. They live in a London that’s suitably fast-paced and cutting-edge, and Cacoyannis has a firm yet humorous grasp of the vernacular and culture of personal and professional worlds ranging from Fleet Street to Soho and beyond. James has a kind of fame that’s fairly risky: one daring obituary that goes too far could make the industry and the public turn their backs on him. Indeed, all of the characters take risks, and it’s to the author’s credit that this madcap, smart story has an introspective protagonist whose dedication to his rebellious family is so well-imagined.

A sophisticated, comic novel that brilliantly captures the triumph and folly of art, media, and publishing.

Pub Date: Dec. 28, 2013

ISBN: 978-1-5190-5692-4

Page Count: 371

Publisher: Self

Review Posted Online: Aug. 4, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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