by Panayotis Cacoyannis ‧ RELEASE DATE: Feb. 10, 2025
A well-balanced drama about memorable lovers and their uncomfortable secrets.
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Cacoyannis offers a literary novel about love and infidelity in London.
Harry Wood is an English painter with a secret. Every Wednesday, he meets a woman he knows only as Lina at a hotel in Paddington in central London; the two have sex and have no interest in a relationship of any sort. What complicates matters is the fact that Harry is married to Max Steffe, the man who helped launch his successful career as an artist. Max comes from a wealthy family and is known for “wielding influence and enormous power over practically anyone and everyone who wanted to be someone in the Arts.” Harry loves Max, but it hasn’t stopped him from secretly carrying on his weekly affair for almost two years. One of Harry’s most popular paintings is of an unhoused man he knows who calls himself Gregor Horak and has an affinity for the work of Franz Kafka; Harry and Max help to get Gregor back on his feet and to achieve his dream of becoming a famous writer. They also help a friend of Gregor’s, a budding artist who goes by the name Slimboy. Things take a turn, though, when Harry gets jury duty for a murder trial. By chance, Lina is assigned to the same jury, and Harry learns from another juror, musician Jefferson Stone, that Lina is a famous documentary filmmaker. A guilty Harry stops seeing Lina, but he wonders how to break the news of the past affair to Max; to make matters even more complex, he also finds himself starting to have feelings for Jefferson. However, it soon becomes clear that his relationship with Lina may not end as easily as he thought.
Cacoyannis’ narrative focuses on Harry, who narrates the tale as he navigates the strange circumstances in which he finds himself. The story is most compelling when he discovers new facts that throw his assumptions into disarray—such as when he finds out new information from a clerk at the hotel where he has his trysts with Lina, or when it becomes clear that the first time Harry met Lina may not have been an accident. Although the novel has a fairly large cast of characters, the author effectively distinguishes each of them with small details, such as Jefferson’s hand tattoos or Lina’s penchant for the novel Lolita. However, for a narrative that involves so much deception, the novel has a tendency to repeat things that readers already know. For example, when Harry and Lina set up their first rendezvous, she explains that “There’s this hotel I know. Out of the way. Very discreet. I could meet you there next Wednesday afternoon if you like”—although, by this point in the story, readers already have intimate knowledge of every detail of the Wednesday schedule. Nonetheless, readers will find themselves slowly becoming invested in what will happen to these disparate people—who, after all, will wind up with who? Such questions keep the story alive and moving, all the way to its conclusion.
A well-balanced drama about memorable lovers and their uncomfortable secrets.Pub Date: Feb. 10, 2025
ISBN: 9798306638409
Page Count: 256
Publisher: Self
Review Posted Online: Jan. 14, 2025
Review Program: Kirkus Indie
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by V.E. Schwab ‧ RELEASE DATE: June 10, 2025
A beautiful meditation on queer identity against a supernatural backdrop.
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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by V.E. Schwab ; illustrated by Manuel Šumberac
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PERSPECTIVES
PERSPECTIVES
by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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