WHITEHAVENS

Fleeing the mob is easier said than done, especially when you’re holding a cache of their cash.

On the orders of crime boss Donny Apostolis, loyal lieutenant Brodie is sent to deal with “a valuable asset” named Karima Coogan. Donny’s overeager nephew, Zephyr, accompanies Brodie as wingman. This move is part of a larger turf war between the Apostolis and Ziyades crime families, the details of which are only partially known to Brodie. A last-minute call from Donny changes everything. Brodie, who narrates in a brisk, downbeat first person, is ordered to kill both Zef, who’s uncontrollable and disloyal, and Karima, who’s stolen a large chunk of Apostolis money. As Brodie ponders his next move, Zef implements an unexpected plan of his own. He shoots Brodie, who manages to return fire before losing consciousness. When Brodie wakes up, Karima has taken him to see a doctor—and Zef’s dead. After a quick recovery, Brodie makes a decision: “The only plan is to keep moving.” The duo buys a cheap car and goes on the run. Bilal devotes much of the tale to the delicate dance of trust between Brodie and Karima as they seek a way out of their dangerous situation. They grow closer as they share the backstories that landed them in this mess. Both have been disillusioned with their criminal involvement for a long time. Meanwhile, the threats of uncertainty and revenge make it necessary to question even the loyalty of friends.

A sleek thrill ride that loses traction only when it delves into exposition that overshadows its urgency.