A sleek and subversive thriller that should appeal to readers who enjoy edgy fiction.


A chance encounter sends two strangers on a wild ride through the streets of Los Angeles, where the stakes are high.

In this thriller, Friday evening means a night of hard partying for Brooke. The spoiled trust fund daughter of actor Danny Ryan, she spends her days lost in a haze of absinthe and coke, hopping from one hot Los Angeles area night spot to the next and documenting her exploits on social media. She ends up at the Doheny Room, where she parties with her friend Ashley and Ashley’s boyfriend, Jared. While Brooke enjoys her evening, an actor named Chase hooks up with Melissa, a young waitress. A former bartender plucked from obscurity, Chase gained fame starring on a teen TV drama called All That Glitters. He believes Melissa may be “The One,” until he murders her. A serial killer, Chase targets the bartenders, servers, and waitresses of Hollywood’s trendiest restaurants and nightclubs. The next night, Brooke and Chase meet by chance when they share the same Uber. After Brooke casually invites Chase to join her, they embark on an odyssey that begins with the search for drugs and ends with an unforgettable house party. The latest novel from Adam (Keep Santa Monica Clean, 2016, etc.) is a twisty and transgressive tale of two jaded and troubled strangers discovering an unlikely connection. On the surface, Brooke appears to be a shallow party girl whose only concern is how she appears on Snapchat or Instagram. But the author subtly adds an undercurrent of vulnerability and emptiness to her glamorous facade, particularly in her references to the “stranger wearing my face.” Chase is a multifaceted and compelling protagonist and villain. A successful actor and aspiring screenwriter, he chooses his victims based on his past as a bartender and nostalgia for the lifestyle. Adam’s sharp and economical prose is punctuated by moments of acerbic humor. When asked by his psychiatrist if he thinks he is insane, Chase replies, “No, I’m a television actor.”

A sleek and subversive thriller that should appeal to readers who enjoy edgy fiction.

Pub Date: Oct. 9, 2018

ISBN: 978-1-64606-948-4

Page Count: 144

Publisher: Post-Entropy

Review Posted Online: Aug. 30, 2018

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...


Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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