A sharp contemporary satire that lovingly confronts the raucous realities of Hollywood, the internet, and the media.

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American Asshole

A bored office worker moves to Los Angeles and tries to make it big with a bizarre crowdfunding campaign in Adam’s debut novel.

River Conway is a 29-year-old aspiring singer and actor whose dreams have been sidelined. After he and his girlfriend, Alana, graduated from New York University’s Tisch School of the Arts, they moved to Arizona to care for her ailing father. Seven long years later, they’re still there; River is working a dead-end job and worries that it’s too late for him to break into the entertainment industry. Alana donates $10,000 to her celebrity crush’s crowdfunding campaign, and she and River are invited to his party in LA. There, River is inspired to launch a campaign of his own. Although his mother always told him that he was born for greatness (“Why else would an honest, salt of the earth, lower middle class couple from Who Cares, Ohio, name their son River?”), he decides to start “Save an A$$hole,” asking donors to help him leave behind a lifestyle that they wouldn’t want to live themselves. Soon, River has second thoughts and deletes the campaign, but then Alana surprisingly offers to move to LA with him. In Hollywood, her rapid-fire networking lands her a role on a sitcom, and River resorts to relaunching his crowdfund concept. He’s soon contacted by a TV comedy channel that wants to film the last days of the campaign as a telethon. River agrees, and the resulting media sensation and scathing headlines (“Douchebag Becomes Millionaire For No Reason, Nation Weeps”) lead to an exploitative reality show that takes him down an uncertain path. Adam has written a wickedly funny, timely satire, full of piercing jabs at Hollywood and crystal-clear characterizations of brain-dead, disingenuous LA denizens. The fact that River is Tisch-trained but still becomes the chief flake of the moment is amusing, and it shows the push-and-pull relationship that members of River’s generation have with industries that simultaneously seduce and repulse them. The scenarios are wild, but the novel does well to wonder if people obsessed with popular culture can survive in LA without descending into tragicomedy. The ending is a bit neat, but Adam’s tight prose and perfect timing make the story as a whole both playful and gratifying.

A sharp contemporary satire that lovingly confronts the raucous realities of Hollywood, the internet, and the media.

Pub Date: July 21, 2016

ISBN: 978-1-64606-946-0

Page Count: 300

Publisher: Post-Entropy

Review Posted Online: Oct. 6, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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A steamy, glitzy, and tender tale of college intrigue.

THE CHASE

From the Briar U series

In this opener to Kennedy’s (Hot & Bothered, 2017, etc.) Briar U romance series, two likable students keep getting their signals crossed.

Twenty-one-year-old Summer Heyward-Di Laurentis is expelled from Brown University in the middle of her junior year because she was responsible for a fire at the Kappa Beta Nu sorority house. Fortunately, her father has connections, so she’s now enrolled in Briar University, a prestigious institution about an hour outside Boston. But as she’s about to move into Briar’s Kappa Beta Nu house, she’s asked to leave by the sisters, who don’t want her besmirching their reputation. Her older brother Dean, who’s a former Briar hockey star, comes to her rescue; his buddies, who are still on the hockey team, need a fourth roommate for their townhouse. Three good-looking hockey jocks and a very rich, gorgeous fashion major under the same roof—what could go wrong? Summer becomes quickly infatuated with one of her housemates: Dean’s best friend Colin “Fitzy” Fitzgerald. There’s a definite spark between them, and they exchange smoldering looks, but the tattooed Fitzy, who’s also a video game reviewer and designer, is an introvert who prefers no “drama” in his life. Summer, however, is a charming extrovert, although she has an inferiority complex about her flagging scholastic acumen. As the story goes on, the pair seem to misinterpret each other’s every move. Meanwhile, another roommate and potential suitor, Hunter Davenport, is waiting in the wings. Kennedy’s novel is full of sex, alcohol, and college-level profanity, but it never becomes formulaic. The author adroitly employs snappy dialogue, steady pacing, and humor, as in a scene at a runway fashion show featuring Briar jocks parading in Summer-designed swimwear. The book also manages to touch on some serious subjects, including learning disabilities and abusive behavior by faculty members. Summer and Fitzy’s repeated stumbles propel the plot through engaging twists and turns; the characters trade off narrating the story, which gives each of them a chance to reveal some substance.

A steamy, glitzy, and tender tale of college intrigue.    

Pub Date: Aug. 6, 2018

ISBN: 978-1-72482-199-7

Page Count: 372

Publisher: CreateSpace

Review Posted Online: Jan. 28, 2019

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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