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WHERE’S DAD?

I THOUGHT WE WERE SUPPOSED TO TALK!

A call to duty and instruction manual that will appeal only to deeply conservative husbands and fathers.

A Christian-oriented book about the key role that fathers play in families.

In this comprehensive debut work, Combs promises readers “a common-sense approach to developing a character for success, understanding Biblical principles, re-establishing moral values, and building relationships.” He specifically aims to build the characters of fathers, whose increasing absence from the American family unit deeply concerns him. A father, he says, is in many ways the key to the stability of the family unit, so in these pages, he provides a series of moral instructions for prospective husbands and dads. He also offers a clearly written guide to more practical aspects of life, such as how to talk to potential employers, fill out job applications, manage credit cards, and balance one’s personal income. The book clearly lays out each of these pragmatic lessons, and many more, and effectively illustrates them with specific examples. They all revolve around Combs’ implicit contention that in order to be a responsible adult, a man must cultivate a small but crucial group of real-world skills. Overall, this self-help work couches its instructions in insistently conservative Christian terms that refer repeatedly to “Biblical principles and morals” and call the Bible “the perfect manual for living a good and just life”; this will accord nicely with the beliefs of its target audience, who may find its tone of moral clarity appealing. However, the book also includes the erroneous implication that the United States’ Founding Fathers intended their new nation to be Christian. Far more troubling, though, are its instructions to young women not to dress or act “suggestively” and to avoid crowds because a ratio of “two or more boys per girl” could lead to “male aggression.” These and other passages give the book the curious feel of a work written in another era.

A call to duty and instruction manual that will appeal only to deeply conservative husbands and fathers.

Pub Date: Oct. 27, 2016

ISBN: 978-1-5127-4874-1

Page Count: 236

Publisher: Westbow Press

Review Posted Online: March 2, 2017

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GOOD ECONOMICS FOR HARD TIMES

Occasionally wonky but overall a good case for how the dismal science can make the world less—well, dismal.

“Quality of life means more than just consumption”: Two MIT economists urge that a smarter, more politically aware economics be brought to bear on social issues.

It’s no secret, write Banerjee and Duflo (co-authors: Poor Economics: A Radical Rethinking of the Way To Fight Global Poverty, 2011), that “we seem to have fallen on hard times.” Immigration, trade, inequality, and taxation problems present themselves daily, and they seem to be intractable. Economics can be put to use in figuring out these big-issue questions. Data can be adduced, for example, to answer the question of whether immigration tends to suppress wages. The answer: “There is no evidence low-skilled migration to rich countries drives wage and employment down for the natives.” In fact, it opens up opportunities for those natives by freeing them to look for better work. The problem becomes thornier when it comes to the matter of free trade; as the authors observe, “left-behind people live in left-behind places,” which explains why regional poverty descended on Appalachia when so many manufacturing jobs left for China in the age of globalism, leaving behind not just left-behind people but also people ripe for exploitation by nationalist politicians. The authors add, interestingly, that the same thing occurred in parts of Germany, Spain, and Norway that fell victim to the “China shock.” In what they call a “slightly technical aside,” they build a case for addressing trade issues not with trade wars but with consumption taxes: “It makes no sense to ask agricultural workers to lose their jobs just so steelworkers can keep theirs, which is what tariffs accomplish.” Policymakers might want to consider such counsel, especially when it is coupled with the observation that free trade benefits workers in poor countries but punishes workers in rich ones.

Occasionally wonky but overall a good case for how the dismal science can make the world less—well, dismal.

Pub Date: Nov. 12, 2019

ISBN: 978-1-61039-950-0

Page Count: 432

Publisher: PublicAffairs

Review Posted Online: Aug. 28, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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