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The Man His Father Was

Name: The Man His Father Was
Author: Pat Leonard
ISBN: 978-0-9632933-5-0

A NOVEL OF EARLY AMERICA

by Pat Leonard ‧ RELEASE DATE: Nov. 11, 2015

An uneven historical novel light on story, heavy on history.

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This historical novel follows four generations of men through the events that shaped early America.

Leonard’s (Damned If You Do, 1994) first foray into historical fiction begins in 1695 with the death of Henry Leonard in East New Jersey. From there, each section of the book chronicles the life of another Leonard in short, first-person anecdotes, ending in 1863 Pennsylvania. Each member of the family manages to get mixed up in important historical events such as King Philip’s War, the Great Awakening, and, of course, the American Revolution. The story is closely based on the lives of the author’s ancestors; as such, most characters really existed and many of the anecdotes describe real-life events. Sons in the Leonard clan carry on the family legacy in different ways, since each is said to be “not the man his father was.” Leonard’s meticulous research and attention to historical detail are both strengths and weaknesses. On the one hand, the book will appeal to American history buffs. The author re-creates 17th- and 18th-century New England without too much unnecessary exposition, and famous figures like George Washington and Benjamin Franklin make frequent appearances. On the other hand, the story’s close adherence to real-life events means it lacks a driving narrative. Aside from the theme of sons imitating (or not) their fathers, there’s little to connect the four sons/sections. The ever changing narrator also makes it hard to invest in characters. But what the book lacks in storytelling, it makes up for in history. Everything from ironworking methods to frontier surveying is described in thorough but not overlong detail. A few of the anecdotes, particularly in Infant John’s section, are quite exciting, made more so because they’re based on real events. Others, however, are less intriguing. Still, readers who enjoy historical re-enactments may find this book to be a literary equivalent: well-drawn portraits of moments in the past.

An uneven historical novel light on story, heavy on history.

Pub Date: Nov. 11, 2015

ISBN: 978-0-9632933-5-0

Page Count: 487

Publisher: Golden Pheasant Press

Review Posted Online: Sept. 17, 2015

Review Program: Kirkus Indie

Categories:

HISTORICAL FICTION

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WE WERE THE LUCKY ONES

by Georgia Hunter ‧ RELEASE DATE: Feb. 14, 2017

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

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Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

Categories:

RELIGIOUS FICTION | HISTORICAL FICTION

- BOOK TO SCREEN
Hulu’s ‘We Were the Lucky Ones’ Adds To Cast

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THE UNSEEN

by Roy Jacobsen ; translated by Don Bartlett & Don Shaw ‧ RELEASE DATE: April 7, 2020

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

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Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.