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The Cook Out

Touches of lowbrow comedy distract from an otherwise riveting, vengeance-fueled tale.

A reporter, in covering a story on soldiers who’ve died in Iraq, may have encountered someone seeking bloody retribution against supposed warmongers in this thriller.

News & Observer editor Karl Claxton is so affected by the death of his friends’ son that he assigns TV anchor–turned-reporter Rudy Ryan a series on late soldiers’ families. Rudy interviews subjects around North Carolina and, like the grieving loved ones, ultimately condemns the government for starting wars and sending troops to die. Some of the deaths, too, seemed preventable, especially ones happening at Army bases—faulty wiring, for example, results in a number of electrocutions. Rudy gets help from seasoned journalist Richard Landis and Richard’s daughter, April, who doubles as Rudy’s new romantic interest. At the same time, a string of mutilations ravages the country: someone shoots a Florida minister in the groin and mercilessly beats two men with a golf club. The attacks have links to soldiers, such as the golfing victims, who had taunted attendees of a funeral for homosexual Army sergeants. Rudy and April surmise that the assailant is one of Rudy’s interviewees, a person whose odd and aggressive behavior left the reporter “a little freaked.” And they anticipate the worst when their suspect shows up at a memorial event, The Cook Out, where the former vice president will be speaking. Riley (Executive Deception, 2011) injects mystery and suspense into his novel, including an initially hidden identity for the assailant, who certainly has the potential to become a killer. Rudy’s parallel story is decidedly lighter fare than the meticulously planned, violent attacks. Puerile humor is sometimes grating, like laughter or a quip accompanying nearly every mention of the groin injury. Rudy, too, can be flippant, jokingly claiming he wants to enlist when seeing women in “those tight camouflage tee shirts” not long after learning about the rape of female soldiers. The author only barely ties the reporter to the main plot, which might have ended the same way even without Rudy’s inclusion. The final few Rudy-less chapters, however, are the strongest, leading to an ambiguous but delectably ominous conclusion.

Touches of lowbrow comedy distract from an otherwise riveting, vengeance-fueled tale.

Pub Date: May 11, 2015

ISBN: 978-1-5078-7581-0

Page Count: 334

Publisher: CreateSpace

Review Posted Online: March 30, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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