For lovers of Jacqueline Woodson and Rafael López’s The Day You Begin (2018), a sweet lesson on how to glow from the inside...
In this new book from the creative duo behind Wherever You Go (2015), a child warily bids adieu to a beloved former home and summons the courage to embrace the new one.
A family says farewell to neighbors as they pack the last of their belongings into a car and trailer. In a mostly empty room, a pigtailed child holds a photo album. The family drives away from what was their home, and, visibly nostalgic, the child opens the photo album. Miller’s text, replete with musical pulses, evokes the emotional and trying journey: “Because some days are full of things you’d rather not do. // Like plunging into a pool all by yourself, hoping you’ll swim and not sink. / Or standing alone, in front of a crowd, searching for one friendly face.” The drive is a journey through busy city traffic then a somber, rainy forested range that culminates in hilly, coastal views. With mixed traditional media, Wheeler revels in color—dramatic, muted hues and warm glowing pages mirror the protagonist’s feelings. Graceful, sinuous artwork depicting various panoramas adorns mostly double-page spreads, encouraging readers to observe how the illustrations echo the verses. One dazzling spread cleverly uses stars, moon, and twilight to convey the protagonist’s brightness, bravery, and courage. Both child and family are racially ambiguous, with light skin and straight, dark hair.
For lovers of Jacqueline Woodson and Rafael López’s The Day You Begin (2018), a sweet lesson on how to glow from the inside out. (Picture book. 3-8)Pub Date: March 5, 2019
ISBN: 978-0-316-39252-5
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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