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HUSH, IT’S A GAME

Like the young heroine of The Unquiet Night (p. 596), whose plot this 1967 tale follows perhaps a bit too closely (though a...

Three years after beating Isobel Tarks, his accomplice in a long series of petty robberies, into a coma for holding out his share of the proceeds, Frank Aldan ends the six-month parole that followed his Australian prison term with only one thought: revenge. Having already prepared his escape to New Zealand under a new identity, he stops by Isobel’s flat in Nurrung Court on a midsummer Christmas Eve and calmly shoots her dead. His plan works perfectly except for two hitches: His ex-wife and her relatives catch up with him before he can board his flight and drag him back to town; and, as he fumes and paces inside the lodging he’s found overlooking Isobel’s kitchen window, he gradually realizes that there’s someone still in her flat—a witness whose testimony could put him away for good. But because the witness is Virginia Segal, a holy terror of a girl her father has left with Isobel for the holiday while he chases a better job up north, she doesn’t know how to get out of the kitchen Isobel had locked her in when she recognized her final visitor—and none of her neighbors, watching her wave to them from the window high above Nurrung Court, believes she’s in any serious danger.

Like the young heroine of The Unquiet Night (p. 596), whose plot this 1967 tale follows perhaps a bit too closely (though a more obvious model is Charlotte Armstrong’s Mischief), Virginia is kept dangling between oblivious rescuers and a determined killer in another tour de force of suspense.

Pub Date: Feb. 1, 2001

ISBN: 1-56947-214-9

Page Count: 192

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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BADLANDS

A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be...

Box takes another break from his highly successful Joe Pickett series (Stone Cold, 2014, etc.) for a stand-alone about a police detective, a developmentally delayed boy, and a package everyone in North Dakota wants to grab.

Cassandra Dewell can’t leave Montana’s Lewis and Clark County fast enough for her new job as chief investigator for Jon Kirkbride, sheriff of Bakken County. She leaves behind no memories worth keeping: her husband is dead, her boss has made no bones about disliking her, and she’s looking forward to new responsibilities and the higher salary underwritten by North Dakota’s sudden oil boom. But Bakken County has its own issues. For one thing, it’s cold—a whole lot colder than the coldest weather Cassie’s ever imagined. For another, the job she turns out to have been hired for—leading an investigation her new boss doesn’t feel he can entrust to his own force—makes her queasy. The biggest problem, though, is one she doesn’t know about until it slaps her in the face. A fatal car accident that was anything but accidental has jarred loose a stash of methamphetamines and cash that’s become the center of a battle between the Sons of Freedom, Bakken County’s traditional drug sellers, and MS-13, the Salvadorian upstarts who are muscling in on their territory. It’s a setup that leaves scant room for law enforcement officers or for Kyle Westergaard, the 12-year-old paperboy damaged since birth by fetal alcohol syndrome, who’s walked away from the wreck with a prize all too many people would kill for.

A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.

Pub Date: July 28, 2015

ISBN: 978-0-312-58321-7

Page Count: 272

Publisher: Minotaur

Review Posted Online: April 21, 2015

Kirkus Reviews Issue: May 15, 2015

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THE A LIST

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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