In the fourth book of the Cleary Case Files series, Clark (Third Breath, 2014, etc.) brings back FBI Special Agent Shawn Cleary in a gripping blend of terrorism, serial killers, and even a little romance.
Shawn’s life is in turmoil when this thriller opens. Mitchell Gant is about to go on trial for multiple murders, but his twin brother, Trevor, Shawn’s former partner, is still on the loose. He’s threatened everyone Shawn cares about, so she can’t relax yet: “Over the last six weeks, the feeling never abated, and she believed Trevor Gant lurked in the vicinity, ready to execute his next deadly assault.” Indeed, Trevor’s threat caused Shawn to separate from Nick, the man she loves, in order to keep him safe. To make matters worse, a terrorist cell has weaponized the Ebola virus and is planning to disperse it somewhere in a transportation system. Trevor manages to rig the trial and Mitchell gets off. Later, Shawn goes to arrest Mitchell for another set of murders and a firefight unexpectedly breaks out. This climactic incident leaves Trevor in an even worse frame of mind, but because he’s injured, he’s forced to flee. Shawn is badly hurt herself, but her pursuit of the terrorists brings her and Trevor together one more time. Clark’s greatest gift to readers is her breakneck pacing, which keeps the narrative flying along. Still, it zigs and zags along the way, taking unexpected turns, including the revelation of the terrorists’ ultimate choice of target. She doesn’t give short shrift to characterization, though, especially of Shawn, who cares deeply for those she loves while also being a tough agent near the top of her field. One quibble is that there isn’t much room for more than cameos of some people from previous volumes, including Sgt. Ed Pulaski and the vigilante group Patronus, but there’s still plenty of action and memorable characters to go around. The only real problem is that Clark ties up so many loose ends from earlier books that one wonders what’s left for Shawn to tackle next.
A well-crafted thriller that manages to be both timely and timeless.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Nov. 3, 2016
Review Program: Kirkus Indie
Did you like this book?
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
215
GET IT
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
Categories: ROMANCE | CONTEMPORARY ROMANCE | GENERAL ROMANCE
Did you like this book?
SEEN & HEARD
SEEN & HEARD
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
Did you like this book?
SEEN & HEARD
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Follow
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
