BLACK NOTICE

            Virginia Chief Medical Examiner Kay Scarpetta has never liked Christmas, and this year, when she’s still mourning the death of her FBI lover Benton Wesley (Point of Origin, 1998), looks like her worst holiday season ever.  While she can’t identify or name the exact cause of death, the corpse found in a sealed shipping container aboard a cargo ship from Belgium is the least of her problems – even though Cornwell leads from strength by presenting one of her most extended (and unnerving) postmortems.  Just as Scarpetta and her longtime police ally Capt. Pete Marino are running into industrial-strength flak from Richmond’s new Deputy Chief, ambitious, manipulative Diane Bray, someone in Scarpetta’s office is sabotaging her more underhandedly:  a series of petty thefts is only the nuisance that finally awakens her to a fraud countermanding her orders and masquerading as her over the Internet.  And her niece Lucy Farinelli, an agent working out of Alcohol, Tobacco, and Firearms’ Miami office, is undercover with a bunch of seriously bad people.  The web of evil that binds all these plots together (think drug smuggling; think Interpol; think werewolves) isn’t believable for a minute, but expertly mired in Scarpetta’s fathomless professional battles, you won’t have a minute to think about it till you’ve turned the last page.

            It’s fascinating to watch Scarpetta and her supporting cast, instead of growing, like V.I. Warshawski, become more and more themselves, like Sherlock Holmes – especially in such a brilliantly paced adventure as this one.