Warmly ruminative and honestly observant. Witty, unforced humor rescues passages that might be boring in another writer’s...

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A MOTHER AND DAUGHTER'S PEAKBAGGING ADVENTURE

A mother and her young daughter bond through hiking.

When Herr and her husband bought a weekend home in the mountains, the author learned of the Four Thousand Footer Club, a group of “peakbaggers” who have climbed all 48 mountains in the New Hampshire Whites, whose summits rise above 4,000 feet. She proposed to her 5-year-old daughter Alex, a precocious and energetic nature lover, that they attempt the club together, and she immediately agreed. The author clearly states her parenting philosophy—“children should be met where they’re at, intellectually and otherwise”—and she presents her daughter as a fully formed person with her own capabilities and goals that drive her enterprise, rather than as a cute little body along for the ride and some comic relief. Like most nature-adventure memoirs, this one leverages ready-made life metaphors, which Herr captures effectively and sincerely, if a bit predictably. Herr divides the chapters into life lessons learned from experiences on the trail: “Know What You’re Getting Into,” “Ignore the Naysayers,” “Mistakes Have Serious Consequences,” etc. The latter chapter, about how Herr’s husband lost his legs to frostbite from being trapped for three days in subzero temperatures (see Alison Osius’ Second Ascent for the full story), lends additional weight to the story. After 15 months of peakbagging, Alex reached her final summit; by this time she was a minor celebrity in the local hiking community. Herr’s prose sufficiently captures the joy of being on the trail, though perhaps not forcefully enough to make converts out of city slickers. More than anything, the narrative serves as an apt landscape for a mother to reflect on her choices and on her struggle with how to explain life’s unfairness (sexism, cruelty of nature, distrust of strangers) to her daughter while continuing to nurture the innocent joys of fleeting childhood.

Warmly ruminative and honestly observant. Witty, unforced humor rescues passages that might be boring in another writer’s hands.

Pub Date: April 3, 2012

ISBN: 978-0-307-95207-3

Page Count: 256

Publisher: Broadway

Review Posted Online: March 13, 2012

Kirkus Reviews Issue: April 1, 2012

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AN INVISIBLE THREAD

THE TRUE STORY OF AN 11-YEAR-OLD PANHANDLER, A BUSY SALES EXECUTIVE, AND AN UNLIKELY MEETING WITH DESTINY

A straightforward tale of kindness and paying it forward in 1980s New York.

When advertising executive Schroff answered a child’s request for spare change by inviting him for lunch, she did not expect the encounter to grow into a friendship that would endure into his adulthood. The author recounts how she and Maurice, a promising boy from a drug-addicted family, learned to trust each other. Schroff acknowledges risks—including the possibility of her actions being misconstrued and the tension of crossing socio-economic divides—but does not dwell on the complexities of homelessness or the philosophical problems of altruism. She does not question whether public recognition is beneficial, or whether it is sufficient for the recipient to realize the extent of what has been done. With the assistance of People human-interest writer Tresniowski (Tiger Virtues, 2005, etc.), Schroff adheres to a personal narrative that traces her troubled relationship with her father, her meetings with Maurice and his background, all while avoiding direct parallels, noting that their childhoods differed in severity even if they shared similar emotional voids. With feel-good dramatizations, the story seldom transcends the message that reaching out makes a difference. It is framed in simple terms, from attributing the first meeting to “two people with complicated pasts and fragile dreams” that were “somehow meant to be friends” to the conclusion that love is a driving force. Admirably, Schroff notes that she did not seek a role as a “substitute parent,” and she does not judge Maurice’s mother for her lifestyle. That both main figures experience a few setbacks yet eventually survive is never in question; the story fittingly concludes with an epilogue by Maurice. For readers seeking an uplifting reminder that small gestures matter.

 

Pub Date: Nov. 1, 2011

ISBN: 978-1-4516-4251-3

Page Count: 288

Publisher: Howard Books/Simon & Schuster

Review Posted Online: July 26, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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A vivid sequel that strains credulity.

THE ESCAPE ARTIST

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 21, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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