A boon to budding builders and architects in settings where the loose bits won’t pose a problem.



A great architect’s development and legacy, explored with help from pop-ups, flaps, and other engineered effects.

Current or period photographs of Wright’s projects are enhanced by special features, such as a slider showing Fallingwater’s site before and after construction, to capture a concrete sense of his aesthetic and show directly his mastery of light and space. Aside from an insensitively phrased account of his childhood near a farm his grandfather built in “the lands of the Sioux,” Geis steers nearly clear of biographical detail. Instead, she improves on her similarly designed but uneven portrait of Leonardo da Vinci (2018) by, for instance, pairing schematic pop-up models of a simple cube and of 1908’s Unity Temple to incisive observations about how playing with specially designed “Froebel blocks” informed Wright’s profound understanding of spatial relationships. New York’s Guggenheim Museum (another pop-up) and other buildings are likewise examined. Despite marginal drawings of admiring young observers, all but one white, the pages have an oddly empty look, as much of the narrative and nearly all of the photos are hidden either on a card file in an interior pocket or behind folded or glued on flaps. Still, readers can’t help but come away appreciating Wright’s, er, groundbreaking genius. A rear pocket holds versions of Wright’s childhood toys to punch out and assemble (and lose).

A boon to budding builders and architects in settings where the loose bits won’t pose a problem. (Informational novelty. 10-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-61689-593-8

Page Count: 16

Publisher: Princeton Architectural Press

Review Posted Online: Oct. 9, 2019

Kirkus Reviews Issue: Nov. 15, 2019

Did you like this book?

No Comments Yet

The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for...



A custom-built, bulletproof limo links two historical figures who were pre-eminent in more or less different spheres.

Garland admits that a claim that FDR was driven to Congress to deliver his “Day of Infamy” speech in a car that once belonged to Capone rests on shaky evidence. He nonetheless uses the anecdote as a launchpad for twin portraits of contemporaries who occupy unique niches in this country’s history but had little in common. Both were smart, ambitious New Yorkers and were young when their fathers died, but they definitely “headed in opposite directions.” As he fills his biographical sketches with standard-issue facts and has disappointingly little to say about the car itself (which was commissioned by Capone in 1928 and still survives), this outing seems largely intended to be a vehicle for the dark, heavy illustrations. These are done in muted hues with densely scratched surfaces and angled so that the two men, the period backgrounds against which they are posed, and the car have monumental looks. It’s a reach to bill this, as the author does, a “story about America,” but it does at least offer a study in contrasts featuring two of America’s most renowned citizens. Most of the human figures are white in the art, but some group scenes include a few with darker skin.

The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for thought. (timeline, bibliography) (Picture book/biography. 10-12)

Pub Date: March 12, 2019

ISBN: 978-0-88448-620-6

Page Count: 64

Publisher: Tilbury House

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

Did you like this book?

Spy fans and cryptographers will seek this one out.


From the Spy on History series

A strong main character and an engaging story make for a revolutionary read.

The career of Anna Strong occupies a fascinating footnote in American history. Was she merely a farmer’s wife, or was she a member of one of the most daring spy rings in our country’s history? The pseudonymous author presents a fictionalized version of Anna’s life in the third volume of the Spy on History series. The examination begins during the throes of the American Revolution. After Anna’s husband is imprisoned and then freed, thanks to Anna’s family connections, and returns to patriot-controlled Connecticut, Anna is pulled into a plot to signal a fellow patriot and pass along information. The plan is simple: Anna uses a black petticoat and a series of handkerchiefs to relay a meeting place. “Alberti” pulls readers into the chaos of Anna’s life (and the war) through an omniscient narrator that documents Anna’s movements over the next year. Astute readers will also realize the dangers women faced from soldiers (and fellow countrymen) during this period. Terry’s loose, two-color illustrations depict an all-white cast and provide an additional sense of movement to the text. The trade edition includes a "Spycraft Kit" in the form of an enclosed envelope with inserts for solving a final coded mystery; the library edition publishes without these inclusions for ease of circulation. Backmatter explains the history of the Culper Spy Ring and its role in exposing Gen. Benedict Arnold.

Spy fans and cryptographers will seek this one out. (historical note, answers, bibliography) (Historical fiction. 10-12)

Pub Date: April 2, 2019

ISBN: 978-1-5235-0216-5

Page Count: 96

Publisher: Workman

Review Posted Online: Aug. 27, 2018

Kirkus Reviews Issue: Jan. 15, 2019

Did you like this book?

No Comments Yet