Earnest but insubstantial, marred by mismatched art and subpar paper engineering.

READ REVIEW

LEONARDO DA VINCI

From the Meet the Artist series

A tribute to the original Renaissance man, with pop-up models and other special features.

The illustrations mix reproductions of actual works by Leonardo and some of his contemporaries with Geis’ own drab, flat daubs, and the combination is not a happy one. Fitting in sketchy biographical details as she goes and with an eye to demonstrating the artist’s legendary versatility, she devotes each of seven spreads to a particular project or topic. The huge, never-finished horse commissioned by the Duke of Milan, for instance, is represented here by a featureless brown pop-up of the clay model flanked by standing lines of indistinct onlookers that lean back even when the leaves are fully separated. Similarly, on a final spread anachronistically headed “Robots,” a simply rendered armored figure jerks an arm and a leg with the pull of a tab, but the author does not say whether Leonardo’s design was ever built, nor does she show or describe its actual mechanism. Much of the narrative and most of the small, murky reproductions are squeezed into peanut-shaped booklets. For “Portraits,” three reproduced paintings on flimsy loose sheets can be slid from a frame and exchanged, and based on one tiny partial sketch, readers are invited to glue together an “ideal city” like Leonardo’s from a set of larger punch-out sheets in a pocket at the end.

Earnest but insubstantial, marred by mismatched art and subpar paper engineering. (Informational pop-up. 10-12)

Pub Date: Oct. 16, 2018

ISBN: 978-1-61689-766-6

Page Count: 16

Publisher: Princeton Architectural Press

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for...

TWO MEN AND A CAR

FRANKLIN ROOSEVELT, AL CAPONE, AND A CADILLAC V-8

A custom-built, bulletproof limo links two historical figures who were pre-eminent in more or less different spheres.

Garland admits that a claim that FDR was driven to Congress to deliver his “Day of Infamy” speech in a car that once belonged to Capone rests on shaky evidence. He nonetheless uses the anecdote as a launchpad for twin portraits of contemporaries who occupy unique niches in this country’s history but had little in common. Both were smart, ambitious New Yorkers and were young when their fathers died, but they definitely “headed in opposite directions.” As he fills his biographical sketches with standard-issue facts and has disappointingly little to say about the car itself (which was commissioned by Capone in 1928 and still survives), this outing seems largely intended to be a vehicle for the dark, heavy illustrations. These are done in muted hues with densely scratched surfaces and angled so that the two men, the period backgrounds against which they are posed, and the car have monumental looks. It’s a reach to bill this, as the author does, a “story about America,” but it does at least offer a study in contrasts featuring two of America’s most renowned citizens. Most of the human figures are white in the art, but some group scenes include a few with darker skin.

The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for thought. (timeline, bibliography) (Picture book/biography. 10-12)

Pub Date: March 12, 2019

ISBN: 978-0-88448-620-6

Page Count: 64

Publisher: Tilbury House

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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Spy fans and cryptographers will seek this one out.

ANNA STRONG AND THE REVOLUTIONARY WAR CULPER SPY RING

From the Spy on History series

A strong main character and an engaging story make for a revolutionary read.

The career of Anna Strong occupies a fascinating footnote in American history. Was she merely a farmer’s wife, or was she a member of one of the most daring spy rings in our country’s history? The pseudonymous author presents a fictionalized version of Anna’s life in the third volume of the Spy on History series. The examination begins during the throes of the American Revolution. After Anna’s husband is imprisoned and then freed, thanks to Anna’s family connections, and returns to patriot-controlled Connecticut, Anna is pulled into a plot to signal a fellow patriot and pass along information. The plan is simple: Anna uses a black petticoat and a series of handkerchiefs to relay a meeting place. “Alberti” pulls readers into the chaos of Anna’s life (and the war) through an omniscient narrator that documents Anna’s movements over the next year. Astute readers will also realize the dangers women faced from soldiers (and fellow countrymen) during this period. Terry’s loose, two-color illustrations depict an all-white cast and provide an additional sense of movement to the text. The trade edition includes a "Spycraft Kit" in the form of an enclosed envelope with inserts for solving a final coded mystery; the library edition publishes without these inclusions for ease of circulation. Backmatter explains the history of the Culper Spy Ring and its role in exposing Gen. Benedict Arnold.

Spy fans and cryptographers will seek this one out. (historical note, answers, bibliography) (Historical fiction. 10-12)

Pub Date: April 2, 2019

ISBN: 978-1-5235-0216-5

Page Count: 96

Publisher: Workman

Review Posted Online: Aug. 27, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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