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SUDDENLY SINGLE AT SIXTY

Sobering relationship advice yet wickedly funny at times.

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A debut dating guide targets widows and divorced women.

Koprucki, who suffered the death of her spouse after “more than” 29 years of marriage, writes with candor in this manual about the sometimes-unimaginable pain of loss. She begins by discussing the unique challenge of facing holidays and special occasions alone. The author suggests establishing new traditions, engaging in travel, and focusing on others to deflect melancholy and depression. Her advice is compassionate yet blunt: “You will never be able fully to divide him from you, so stop trying and let it flow.…There is no such thing as absolute closure.” The bulk of the book pertains to living with loss and getting on with life, largely as it relates to developing a relationship with another man. Much of the volume centers on how to reenter the dating scene; Koprucki shares her thoughts about appearance, concentrating on hair, makeup, weight, and clothes. Chapters concerning where men congregate and the three basic male types (“TradeDown, Jungleboy, and TradeUp”) are enlightening as well as highly amusing. Jungleboy, writes the author, “is a real man with street smarts.…Jungleboy is a participant, not a spectator.…He is at home in the vortex of conflict.” Several observations of masculine behavior are insightful; for example, a list of key attributes highlights “how does he treat waiters and waitresses? Or anyone whom he mistakenly perceives as being beneath him in social and/or career status? This tells who he is.” Koprucki spends considerable time covering the ins and outs of online dating with an emphasis on do’s and don’ts. Later chapters concern budding relationships with men—communicating via email, text, or phone; interacting with family and friends; sustaining a relationship; and gauging the potential for marriage. Still, portions of the book speak to female independence, such as a chapter that encourages women to fix mechanical and electronic items. Rather than exuding doom and gloom, the author’s sense of humor is liberally sprinkled throughout the guide. This lightens up what is undoubtedly a heart-wrenching time for women who are suddenly single.

Sobering relationship advice yet wickedly funny at times.

Pub Date: June 13, 2019

ISBN: 978-1-5043-1418-3

Page Count: 138

Publisher: BalboaPress

Review Posted Online: March 19, 2020

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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GREENLIGHTS

A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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