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WHAT YOU NEVER KNEW ABOUT BEDS, BEDROOMS, & PAJAMAS

Lauber follows up What You Never Knew About Tubs, Toilets, & Showers (2001) with another quick tour through domestic history, taking readers from prehistoric times to campouts and sleepovers, with pauses for glimpses at “Great Moments in Nightclothes” and a recapitulative “Great Moments in Bed History.” Separating the easily digestible passages of text, Manders’s comical, cartoon-style scenes feature figures in historical dress and brief comments in dialogue balloons. Aside from a single reference to “other parts of the world” and a closing vignette of a sleeper on a futon, this presents an entirely Eurocentric picture, and Lauber’s dismissal of the Middle Ages as only a “bridge” between the ancient and modern worlds is a minority view nowadays. But, these glimpses of what people wore, what they slept on and what shared their beds will please casual browsers. Young readers in search of more specific facts will do better with Ruth Freeman Swain’s Bedtime! (1999), illustrated by Cat Bowman Smith. (source list) (Nonfiction. 8-10)

Pub Date: Nov. 28, 2006

ISBN: 0-689-85211-8

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2006

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NICKOMMOH!

A THANKSGIVING CELEBRATION

Koller (Bouncing on the Bed, p. 143, etc.) portrays a Narragansett nickommoh, or celebratory gathering, from which it is very likely the tradition of Thanksgiving was drawn. As explained in an exemplary note—brief, clear, interesting—at the end of the book, these gatherings occurred 13 times a year, once each lunar month. The harvest gathering is one of the larger gatherings: a great lodge was built, copious food was prepared, and music and dance extended deep into the night. Koller laces the text with a good selection of Narragansett words, found in the glossary (although there is no key to pronunciation, even for words such as Taqountikeeswush and Puttuckquapuonck). The text is written as a chanted prose poem, with much repetition, which can be both incantatory and hackneyed, as when “frost lies thick on the fields at dawn, and the winged ones pass overhead in great numbers.” Mostly the phrases are stirring—as are Sewall’s scratchboard evocations—and often inspirational—for this nickommoh puts to shame what has become known as the day before the launch of the holiday shopping season. (Picture book. 6-9)

Pub Date: Oct. 1, 1999

ISBN: 0-689-81094-6

Page Count: 32

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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MAMA GOD, PAPA GOD

A CARIBBEAN TALE

Mama God, Papa God ($15.95; Apr. 26; 32 pp.; 1-56656-307-0): The creation story takes a whimsical Caribbean turn in a seamless blend of religion and folk-art set in Haiti. Tired of living in darkness, Papa God creates light, then goes on to make the world as a beautiful gift for Mama God. Together, they design a detailed world filled with brilliance, love, and humor. Highly stylized illustrations rich in primary colors show the progress of creation as animals, birds, water, fish, wind, and rain take their place in the world. This unusual rendition of the creation tale sings to a calypso beat and gives a strikingly different and exuberant interpretation of how the world began. (Picture book. 3-8)

Pub Date: April 26, 1999

ISBN: 1-56656-307-0

Page Count: 32

Publisher: Interlink

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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