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THE ART OF MISS CHEW

The paired lessons—of art as a crucial element in education and of the importance of recognizing different learning...

Art is a language, and the right teacher can change a life is the twin message of this personal story from the exuberant author/illustrator.

Polacco provides an unabashedly autobiographical account of a year in grammar school with the Irish Mr. Donovan, who understands that she needs additional time to work at written tests. He also introduces her to Miss Chew, an art teacher, and both immediately recognize Trisha's emerging talent—although the Chinese Miss Chew hears her name as “Ther-esa” and calls her that ever after. It is Miss Chew who discerns Trisha's talent at perceiving negative space and connects it to her difficulties in school: She sees words as patterns, not letters. When Mr. Donovan is called to Ireland upon the death of his father, the substitute will not allow Trisha extra time on exams and tries to keep her from art class. Right prevails—and Trisha gets to have a painting in the high-school art fair, even though she is so young. Polacco's pencil-and-marker art is full of color and movement, with its exaggerated figures and vibrant line. Her characters are always gesturing, caught in mid-sentence. Her first-person narration tells her tragedy and triumph in a very down-to-earth way, using the tone of the 11-year-old she was.

The paired lessons—of art as a crucial element in education and of the importance of recognizing different learning styles—come through clearly, leavened by Polacco's use of color and gesture. (Picture book. 6-10)

Pub Date: April 12, 2012

ISBN: 978-0-399-25703-2

Page Count: 40

Publisher: Putnam

Review Posted Online: Jan. 3, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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IF I BUILT A SCHOOL

An all-day sugar rush, putting the “fun” back into, er, education.

A young visionary describes his ideal school: “Perfectly planned and impeccably clean. / On a scale, 1 to 10, it’s more like 15!”

In keeping with the self-indulgently fanciful lines of If I Built a Car (2005) and If I Built a House (2012), young Jack outlines in Seussian rhyme a shiny, bright, futuristic facility in which students are swept to open-roofed classes in clear tubes, there are no tests but lots of field trips, and art, music, and science are afterthoughts next to the huge and awesome gym, playground, and lunchroom. A robot and lots of cute puppies (including one in a wheeled cart) greet students at the door, robotically made-to-order lunches range from “PB & jelly to squid, lightly seared,” and the library’s books are all animated popups rather than the “everyday regular” sorts. There are no guards to be seen in the spacious hallways—hardly any adults at all, come to that—and the sparse coed student body features light- and dark-skinned figures in roughly equal numbers, a few with Asian features, and one in a wheelchair. Aside from the lack of restrooms, it seems an idyllic environment—at least for dog-loving children who prefer sports and play over quieter pursuits.

An all-day sugar rush, putting the “fun” back into, er, education. (Picture book. 6-8)

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-55291-8

Page Count: 32

Publisher: Dial Books

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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