An appealing story weighed down by its protagonist’s self-pity.
Judith—called Jubilee by Aunt Cora and No-Talk-Girl by the 5-year-old brother of her former friend, Sophie—narrates her own tale of personal growth during fifth grade.
The redheaded white girl’s life on an island off Maine’s coast seems idyllic; she spends her time swimming, exploring, and drawing cartoons (which, in a nice touch, appear throughout). Adoring Aunt Cora lavishes praise on her niece and allows Jubilee such indulgences as immediate adoption of a stray dog, stealing away independently to the mainland, and even deciding whether Cora should marry the lovable ferryman, Gideon. However, Jubilee is obsessed with the apparent cause of her selective mutism: feelings of abandonment when her mother left her, as a toddler, with Cora. On Jubilee’s first day in a “regular” instead of “special” class, her amazingly supportive teacher talks about “firsts.” Jubilee thinks, “If I could have a year of firsts, I’d see my mother. Sophie and I would be friends again. I’d speak!” In Jubilee, Giff demonstrates an acute understanding of how people—especially children—can be extremely observant but at the same time misunderstand the behaviors they observe. However, until nearly the end, Jubilee’s introspection borders on self-pity, which risks alienating readers who are comfortably living in alternative families. The prose is graceful and brimming with potent physical details, but the adults are alarmingly mature—except for Jubilee’s birth mother.
An appealing story weighed down by its protagonist’s self-pity. (Fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-385-74486-7
Page Count: 160
Publisher: Wendy Lamb/Random
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: June 1, 2016
Charming, poignant, and thoughtfully woven.
An aspiring scientist and a budding artist become friends and help each other with dream projects.
Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.
Charming, poignant, and thoughtfully woven. (Fiction. 9-12)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-300888-5
Page Count: 304
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...
The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.
Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.
A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)Pub Date: April 1, 1989
ISBN: 0547577095
Page Count: 156
Publisher: Houghton Mifflin
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: March 15, 1989
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