What shall we do with the contrary man? Joseph Palmer's long golden beard is the pride of his family and the bane of the small Massachusetts town where he lives. It flows all the way down to his belly and "from elbow to elbow," earning him the nickname Beard. But people jeer, calling him "Un-American!" One day, four men with scissors try to ambush Beard, but he fights them off. Then these men have the nerve to go to court and blame Beard for attacking them. The judge issues a $10 fine, and, when Beard refuses to pay it, they put him in jail for a year. Beard's tearful family visits him every day, and he complains about the conditions in letters to the editor. When Beard's year in jail ends, he again refuses to pay his fine. The frustrated sheriff and jailer come up with a unique solution, one that's sure to surprise readers as much as Beard. It's based on a true story; Hyatt includes a generous historical note. The compression demanded by the picture-book form is felt in Hyatt's prose, but she cleanly lays out a morality tale that could prompt a healthy civics lesson. Brown's arch illustrations, in watercolor with pen and ink, nicely capture 19th-century New England. This will do until a full Beard Palmer YA novel comes along. (Picture book. 6-9)
Pub Date: May 1, 2011
ISBN: 978-0-8109-4065-9
Page Count: 32
Publisher: Abrams
Review Posted Online: April 3, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
A worthy message delivered with a generous dose of inclusivity.
Sharing books brings children from multiple backgrounds together in this companion to Stacey’s Extraordinary Words (2021).
Again lightly burnishing actual childhood memories, voting rights activist and former gubernatorial candidate Abrams recalls reaching out as a young book lover to Julie, a new Vietnamese classmate shy about reading in English. Choosing books to read and discuss together on weekly excursions to the school’s library, the two are soon joined by enough other children from Gambia, South Korea, and elsewhere that their beaming librarian, Mr. McCormick, who is dark-skinned, sets up an after-school club. Later, Julie adds some give and take to their friendship by helping Stacey overcome her own reluctance to join the other children on the playground. Though views of the library seen through a faint golden haze flecked with stars go a little over the top (school librarians may disagree), Thomas fills the space with animated, bright-eyed young faces clustering intimately together over books and rendered in various shades beneath a range of hairstyles and head coverings. The author underscores the diversity of the cast by slipping scattered comments in Spanish, Wolof, and other languages into the dialogue and, after extolling throughout the power of books and stories to make new friends as well as open imaginations to new experiences and identities, brings all of her themes together in an afterword capped by an excellent list of recommended picture books. (This book was reviewed digitally.)
A worthy message delivered with a generous dose of inclusivity. (Picture-book memoir. 6-9)Pub Date: Dec. 13, 2022
ISBN: 978-0-06-327185-2
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
PERSPECTIVES
In 1946 Nova Scotia, Viola Desmond thought to pass an afternoon at the movies while waiting for her car to be repaired. Desmond was the owner of her own beauty salon and founder of the Desmond School of Beauty Culture to train black students. She sat downstairs at the Roseland Theatre, although black people were supposed to sit in the balcony. She refused to move, was arrested and held in jail overnight. Throughout her trial and subsequent appeal, no one would admit that this was a racial issue. Instead the judge focused on the tiny differential in ticket price and fined her $20, then worth ten times what it is today. Using a cadenced style that echoes the oral tradition of African-Canadians, Warner recounts the story simply, allowing children to see raw discrimination for what it was. Rudnicki uses bold acrylics in vivid colors to tell the story. He captures the style, dress and look of the period, and the flap copy notes his images were based on archival photographs. An historical note with a couple of bibliographic citations offers more background. (Picture book. 6-9)
Pub Date: Nov. 1, 2010
ISBN: 978-0-88899-779-1
Page Count: 32
Publisher: Groundwood
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
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