Bites off more than it can possibly chew, then—poof—makes it all go away in the last 20 pages.
When a 10-year-old boy is murdered and a high school teacher is accused of molesting a student, a small Massachusetts town is rocked to its ignorant core.
In the prologue of Smith’s debut novel, a Little Leaguer named Leo Rivera is kidnapped by his next-door neighbor, an unprepossessing auto mechanic named Mickey Gilberto. Not long after, Leo’s corpse is found at the bottom of the river in a plastic container. Meanwhile, lesbian Deirdre Murphy, a dedicated and popular French teacher at a private girls’ school, has been canned because an uptight mom witnessed her daughter planting an unsolicited kiss on the teacher’s lips. These two events tangle in the public imagination to produce a citywide outbreak of homophobia and a weirdly nonsuspenseful witch hunt, since the reader already knows who did and didn’t do what to whom. On the same day Deirdre loses her job, her librarian partner, SJ, attempts to break off their relationship, though bad timing prevents the severing of the limp connection. SJ has also recently received a problematic smooch—hers from the murderous pedophile Mickey Gilberto, whom she’s been tutoring in reading at the library. Even after the unasked-for kiss, she can’t help thinking he’s a nice guy. Alienated as they are, Deirdre and SJ can give each other no support as they endure their twin trials; each mentally muddles through her own back story and future prospects as she becomes the focus of police and public suspicion. The most promising part of this book is the depiction of Deirdre’s teaching, but it's buried under an avalanche of half-baked elements: police work on the two cases, unconvincing letters to the local paper, two-dimensional supporting characters, and unwarranted allusions to The Scarlet Letter. “How did Hester Prynne do it? she wondered. How did she face the town with her quiet pride and go on living her life, raising Pearl, not minding what anyone said or did? Deirdre didn’t think she had the strength in her.”
Bites off more than it can possibly chew, then—poof—makes it all go away in the last 20 pages.Pub Date: Jan. 3, 2017
ISBN: 978-1-61775-487-6
Page Count: 320
Publisher: Kaylie Jones/Akashic
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 15, 2016
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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