Basketball star and former fine arts major Ewing isn’t “in the paint” on the basketball court alone; here, with Louis, he offers fledgling painters and their parents practical advice about essential art supplies, organizing a work space, choosing subjects, mixing paint to get different colors, and planning ahead. The suggestions are simple and savvy, from keeping the paint cups on a large cookie sheet, to making details large by using charcoal rather than pencil for preparatory drawings. Big, bright paintings done by children and captioned with their comments illustrate this engagingly personal primer, along with small shots of Ewing in and out of uniform; although his introduction ends with some product placement for the financial services company that displays his paintings on their credit card, the advertising is unobtrusive. (Nonfiction. 7+)
Pub Date: May 1, 1999
ISBN: 0-7892-0542-4
Page Count: 64
Publisher: Abbeville Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1999
Man’s best friend is at the heart of 13 curious tales culled from worldwide traditions, crossing oceans and time. From Africa to Arabia, China to Japan, the stories span a range in both tone and subject matter. While many of the stories appeared in the Hausmans’ The Mythology of Dogs (1997), those regathered here are the archetypal and mythological, the fanciful and magical, including ghost dogs, immortals, and canine heroes who speak and sing, marry princesses, transform, catch flying bullets in their teeth, and recover magic rings. A two-inch-tall faery dog shines in “King Herla’s Hound,” while the mighty Thor’s companion reveals why the watchdog Rottweiler’s fierce growl sounds like thunder in the throat in the pourquoi tale “Thunder Mouth Dog.” The Hausmans are well-grounded in both folkloric elements and storytelling sensibility, arranging their tales in short chapters such as “Trickster Dogs,” “Enchanted Dogs,” and “Guardian Dogs”; they punctuate each with an explanatory, if complex, punchline of sorts. Moser’s characteristically striking design portrays the akita and basenji, spaniel and shar-pei as if the dogs posed for portrait sittings. Singular compositions focus on each dog as individual, without ornament or fanfare, as if in sculptural relief, carved against the surrounding vast plane of the page. (notes, sources) (Folklore. 8-14)
Pub Date: Nov. 1, 1999
ISBN: 0-689-80696-5
Page Count: 96
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
Whirls of tiny, brightly dressed people’some with wings—fill Kleven’s kaleidoscopic portraits of sun-drenched Los Angeles neighborhoods and landmarks; the Los Angeles—based authors supply equally colorful accounts of the city’s growth, festivals, and citizens, using an appended chronology to squeeze in a few more anecdotes. As does Kathy Jakobsen’s My New York (1998), Jaskol and Lewis’s book captures a vivid sense of a major urban area’s bustle, diversity, and distinctive character; young Angelenos will get a hearty dose of civic pride, and children everywhere will find new details in the vibrant illustrations at every pass. (Picture book/nonfiction. 7-10)
Pub Date: Oct. 1, 1999
ISBN: 0-525-46214-7
Page Count: 48
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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