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STUPIDPARTY

MATH V. MYTH: UNMASKING THE DESTRUCTIVE FORCES ERODING AMERICAN DEMOCRACY

A fast-paced, wryly humorous read for those who are looking for entertainment first, political edification second.

A disillusioned conservative delivers a spirited critique of the Republican Party’s deterioration since George W. Bush’s presidency.

Readers might expect a punchy argument from a book entitled “Stupidparty,” and debut-author Andendall provides exactly that. Acknowledging off the bat that such a title might serve as a signal to readers that what follows is “contentious,” he explains that the terminology was introduced into the political lexicon in 2013 in a speech given by the Republican governor of Louisiana, Bobby Jindal. Whatever the attribution, this isn’t a book for those in search of rhetorical moderation or gentle understatement. Andendall describes himself as a disaffected conservative frustrated bywhat he describes as the Republican Party’s precipitous decline in basic rationality as they consistently embrace unsupported myth over settled fact. “How can such an alternate myth-driven reality occur?” he wonders. The book is exhaustively researched by a political junkie: Andendall manages to cover everything from voter fraud and global warming to Keynesian economics and creationism. The pugnacious prose is accompanied by a series of visual aids, which include satirical cartoons, humorous pie charts and a puzzle about the “Stupidparty.” The author, however, often chooses entertainment value over sustained argument: The first two chapters are essentially lists of quotes, sans context or explanation, meant to allow wayward Republicans to incriminate themselves. Often hilarious, the actual analysis provided can be very astute; for instance, with genuine empirical rigor and élan, Chapter 11 (“Environmental Stewardship = Better Capitalism”) dissects the problem of disenfranchised farmers as a political constituency. Yet it’s hard for such a rollicking ride not to sometimes turn strident, and at the very least, readers might grow weary of the constant repetition of the term “Stupidparty.” Referring to a list of the Republican Party’s vices, the author seems to acknowledge precisely this failing: “For the sake of succinctness and ironic humor this list may be somewhat oversimplified”—a similar criticism that could be applied to this book as a whole.

A fast-paced, wryly humorous read for those who are looking for entertainment first, political edification second.

Pub Date: July 1, 2014

ISBN: 978-0-9960739-0-5

Page Count: 335

Publisher: Fact Over Fiction Publishing, Ltd

Review Posted Online: Sept. 10, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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