Little Jane Goodall and Jubilee (her toy chimpanzee) ramble outside their English country home observing everyday animal miracles and dreaming of a life in Africa, "living with, / and helping, / all animals." Readers familiar with the groundbreaking primatologist will love seeing her as a conventional, buttoned-up child, wearing a plaid skirt, classic bob and hair clip as she squats in a coop to watch a chicken drop an egg. McDonnell’s simple ink-and-watercolor illustrations appear as sunny, amorphous panels in ample white space. Purposeful black lines provide specificity with small suggestive strokes—a tiny apostrophic smile relays Jane’s complete contentment sprawled in grass. Opposite pages offer groupings of faint, intricate stamps that correspond with young Jane’s early outdoor experiences and engage readers with their fine details. The playful interplay among stamps, cartoonish drawings and real photographs of Jane reminds readers of a child’s hodgepodge journal—one like Jane’s, which appears as a double-page spread showing her animal studies, charts, games and doodles. Children will appreciate McDonnell’s original format and take heart that interests logged in their own diaries might turn into lifelong passions. Backmatter includes a pithy biography, additional photographs and a letter and drawing from Jane herself—children will thrill at the connection. (Picture book/biography. 2-10)
Pub Date: April 5, 2011
ISBN: 978-0-316-04546-9
Page Count: 40
Publisher: Little, Brown
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 1, 2011
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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