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THEY HAVE JESUS, WE HAVE LASAGNA

A vivid and enjoyable account about growing up in Pennsylvania.

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A debut memoir offers stories about a boisterous Roman Catholic family.

Resetar’s book concentrates on his upbringing in a crowded duplex in Kingston, Pennsylvania, with his parents, brother, and three sisters, recollecting their spirited family life. “While my mother readied the Sunday meal for her family of seven,” the author writes, “the rest of us were occupied trying to secure the seats we thought we deserved, nearly tearing each other’s eyes out in the process.” Resetar writes about his blend of Italian, Irish, Dutch, Native American, Polish, and Slovakian heritage. He recounts how he and his siblings were raised “with a mix of mostly Catholic ideals combined with occasional Polish Orthodox traditions,” giving rise to a kind of crazy-quilt assortment of familial and religious influences. “I’d like to say that the religious efforts of my grandparents weren’t lost on us,” he writes, “but my family found God only in those rarest of moments when we needed someone struck by a bolt of lightning.” The author relates dozens of vignettes from his childhood and young adult years, telling tales about the generational family feuds that shaped his early years, how baseball was his first love, and how the racetrack was his second home. Resetar livens up every story and anecdote with dialogue and humor, even when he’s writing about serious subjects like his father’s alcoholism. The entertaining book’s prevailing impression is that of chaos recalled with warm affection. The most memorable character is the author’s mother, who was always ready with a sarcastic comeback. “You know, Jesus probably played around when he was a kid,” Resetar’s brother told her at one point. “None of you are the son of God,” she replied. “If you were, you might be allowed to.” This combination of drama and pathos turns the work into an effective modern family story.

A vivid and enjoyable account about growing up in Pennsylvania.

Pub Date: Nov. 10, 2020

ISBN: 978-1-952113-02-4

Page Count: 231

Publisher: Match Point Publishing

Review Posted Online: May 22, 2020

Kirkus Reviews Issue: July 1, 2020

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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