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A HOUSE OF SECRETS

The former President's younger daughter follows up her bestselling Homefront and Deadfall and Kitty Kelley's Nancy Reagan with a moody, relentlessly introspective story about a moody, relentlessly introspective California girl whose career as a Serious Writer is haunted by memories of life with a brittle, humorless, ambitious, control freak of a mother and a pleasant, vague, rich, and possibly corrupt father. Of course, it would be terribly unfair to try to make this almost certain bestseller about life with a mother from hell who drives one daughter into a suicide attempt and another to early sterilization into Nancy Dearest, or to tie any of its characters with former real-life residents of the White House, since Nancy Reagan had only one moody, introspective daughter and since the pleasant, vague, possibly corrupt father here has white hair and the mean mum has red hair. The daughter with the early sterilization is the narrator Carla Tipton, whose mother seems to hate her more and more as she grows up. Carla's primary sins are her refusal to stop growing or to stop writing moody, introspective, thinly disguised autobiographical scraps of fiction. Poor Carla tries to hide the evidence of her early puberty and the scraps of fiction, but her mother Always Knows, hating her more and more, always preferring Carla's timid little sister Lily. Early sexual experimentation at the local high school lands Carla in a tiny boarding school, where she seduces the dishwasher and becomes more moody and introspective. In college she has an affair with an early but doomed ecofreak and undergoes an ecologically sound Native American herbal abortion followed by voluntary sterilization reversal and ever more distant relations with mum until, on his deathbed, dad reveals shocking family secrets known only to mum and Edward Albee. Floating in a sea of psychoanalytically induced dreams, full of naughty sex, loaded with eerie parallels to the no-longer-First Family, and dreadfully dumb. Should sell millions.

Pub Date: Aug. 1, 1991

ISBN: 1-55972-082-4

Page Count: 240

Publisher: Birch Lane Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1991

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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