A funny, insightful homage to movie love and an honest account of growing up, personally and professionally.
A comedian’s lively memoir about his movie addiction.
“All this filming isn’t healthy.” That's the advice given to the title character in Michael Powell’s Peeping Tom (1960), and comedian and actor Oswalt (Zombie Spaceship Wasteland, 2011) would no doubt say the same goes for viewing. In this lively memoir, the author focuses on his early 1990s career, when time was divided between hustling the Los Angeles stand-up circuit and filling his head with every available movie. As he devoured film after film, he told himself that he was getting an education: “As I filled in each hole in my movie buff’s incomplete knowledge, perhaps I was unlocking some secret level of skill I had as a comedian.” Oswalt was also thinking of the Woody Allen career arc: Germinate in the hothouses of comedy clubs and movie houses and blossom as a brilliant auteur. Instead, watching movies took over, alienating him from life and people: “Don’t they want to talk about the movies of the newly rediscovered French crime master Jean-Pierre Melville, or the Dogme 95 movement, or the dozen or so hidden references in the latest Tarantino film? Why are people so boring?” Oswalt tells a variety of interesting stories—of half-assing his way through his days as a MADtv sketch writer, pissing off Jerry Lewis, obsessing over his first tiny film role, hearing an aging actor bellow drunken commentary during a screening of Citizen Kane—but he doesn’t go out of his way to score punch lines. Actually, he’s on to something more serious, which is how movies can simultaneously inspire and stunt ambition. After all, who has time to write a screenplay when a remastered version of Dr. Strangelove starts in a few hours?
A funny, insightful homage to movie love and an honest account of growing up, personally and professionally.Pub Date: Jan. 6, 2015
ISBN: 978-1451673210
Page Count: 240
Publisher: Scribner
Review Posted Online: Sept. 29, 2014
Kirkus Reviews Issue: Nov. 1, 2014
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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