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BURNING BOY by Paul Auster

BURNING BOY

The Life and Work of Stephen Crane

by Paul Auster

Pub Date: Oct. 26th, 2021
ISBN: 978-1-250-23583-1
Publisher: Little, Brown

The acclaimed novelist tackles the enigmatic life and work of American fiction writer, poet, and sometime journalist Stephen Crane (1871-1900).

Much has been written about the New Jersey–born Crane, who succumbed to tuberculosis at age 28. An inventive and prolific writer, Crane is best known for The Red Badge of Courage as well as enduring short works such as “The Blue Hotel” and “The Open Boat.” Though Crane has sparked the interest of numerous biographers and novelists—e.g., Edmund White’s imaginative 2007 novel Hotel de Dream—many readers will be curious about Auster’s take. Like Crane, Auster is from Newark, and his writing is also recognized for its inventiveness. He’s passionate about Crane and aims to elevate his relevancy. “Crane is now in the hands of the specialists, the lit majors and PhD candidates and tenured professors,” writes Auster, “while the invisible army of so-called general readers, that is, people who are not academics or writers themselves, the same people who still take pleasure in reading old standbys such as Melville and Whitman, are no longer reading Crane.” Throughout, Auster conveys a highly personal, idiosyncratic perspective on his subject and the biography form itself: “You cannot curl up on a sofa and settle into a book by Crane. You have to read him sitting bolt upright in your chair.” Yet, having spent nearly three years on this project, he may have been too eager to ensure his efforts were put to good use, as he exhaustively evaluates countless sources (primary and secondary) while probing and dissecting Crane’s writing. Auster’s in-depth exploration of major works like Red Badge is engrossing, as are most of his renderings of Crane’s life experiences, such as the shipwreck that inspired “The Open Boat.” However, when Auster applies his admittedly erudite methods to Crane’s lesser work and to tangential events, the narrative suffers from bloat. Running close to 800 pages, the book would have benefitted from streamlining.

Essential for Crane scholars; less engaging for others.