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THE DEATH OF THE HAT

A BRIEF HISTORY OF POETRY IN 50 OBJECTS

Another winning collaboration from two luminaries.

Janeczko and Raschka reunite for a fourth anthology, featuring poems spanning two millennia.

The unifying conceit—all the poems focus on objects—has a grounding effect, helping readers perceive linkages among the poets across centuries. As Janeczko observes in a pithy introduction, poems are grouped within nine sections named for major periods of Western cultural history, such as the Renaissance and the Enlightenment. Nonetheless, he “could not ignore the strong poems…found from Eastern poets.” The 13th-century Persian poet Rumi observes a candle, “made to become entirely flame.” Seventeenth-century Japanese master Basho muses, “Midnight frost— / I’d borrow / the scarecrow’s shirt.” Twelve women are represented, including Phillis Wheatley, Christina Rossetti and Sylvia Plath. Some poems are famous: William Carlos Williams’ “The Red Wheelbarrow” is here, as well as Robert Burns’ “A Red, Red Rose.” Less familiar choices are poignant, even cheeky: John Updike’s “Lament, for Cocoa” rues, “The scum has come. / My cocoa’s cold.” Raschka’s playful watercolors on crisp, white backgrounds distill both images and emotions from the poems. In “The Cat and the Moon,” he visually parallels William Butler Yeats’ lines, the cat’s eyes echoing the crescent moon’s shape. The white goose of Cui Tu’s “A Solitary Wildgoose” appears throughout, flying alone until uniting with a flock on the back endpapers.

Another winning collaboration from two luminaries. (acknowledgements) (Picture book/poetry. 8-12)

Pub Date: March 10, 2015

ISBN: 978-0-7636-6963-8

Page Count: 80

Publisher: Candlewick

Review Posted Online: Dec. 9, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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OIL

Like oil itself, this is a book that needs to be handled with special care.

In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.

The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?

Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)

Pub Date: March 31, 2020

ISBN: 978-1-5344-3077-8

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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NATIONAL GEOGRAPHIC KIDS GUIDE TO GENEALOGY

A thorough and comprehensive treatment of the subject.

This guide to the various components of researching family history provides helpful hints for young genealogists.

Interest in family research continues across ages, and this volume explores all aspects in great detail. It begins by pointing out that all humankind began in the same place—eastern Africa—and shares what scholars believe about how various groups spread throughout the world. From then on, personal genealogy is approached as a mystery to be solved, a strategy designed to engage its target audience. The recognition that there are many types of families is a critical part of the text. All kinds of threads are explored, from documentary evidence to family stories, with suggestions on how to evaluate them. Each topic is fully described. For example, in addition to addressing how to use census data, the book discusses the origins of the census and the parts that are relevant to family research. The section on DNA is brief but gives scientific perspective. Very little is left to chance, including how to store, preserve, and retrieve the accumulated data. The narrative is inviting and lively in tone, but it doesn’t shy away from potential difficulties. It is richly illustrated in full color with sidebars to provide additional information, though some pages feel too full to digest. Diversity is woven throughout the text, illustrations, sidebars, and graphics.

A thorough and comprehensive treatment of the subject. (glossary, further resources, index) (Nonfiction. 8-12)

Pub Date: April 17, 2018

ISBN: 978-1-4263-2983-8

Page Count: 160

Publisher: National Geographic Kids

Review Posted Online: Jan. 24, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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