by Paul Brannigan ; Ian Winwood ‧ RELEASE DATE: Nov. 15, 2013
For metal heads and most fans of hard rock.
First half of a projected two-part biography of the metal masters of the universe.
Former Kerrang! editor Brannigan (This Is a Call: The Life and Times of Dave Grohl, 2010) and U.K. rock journalist Winwood dreamed up this ambitious undertaking over pints in a London pub. Both Brits had covered Metallica for years, and clearly, both held the megaband in the highest regard. This volume covers the hardworking, hard-drinking, hard-driving band’s first decade, from its founding in Los Angeles by drummer Lars Ulrich and rhythm guitarist/vocalist James Hetfield in 1981 to the preview of its game-changing fifth album at Madison Square Garden in 1991. (Among the 10,000 fans lined up to hear the album were "members of that summer's other most celebrated band: Nirvana.") True to its title, this biography also follows each significant member—including founding lead guitarist Dave Mustaine and the man who replaced him, Kirk Hammett—from birth through school, life in Metallica and, in the case of bassist Cliff Burton, shockingly premature death in a tour bus accident in 1986. Though a devastating personal and professional loss for his colleagues, Burton’s death caused scarcely a skipped beat in Metallica’s unstoppable momentum toward world domination: Three weeks later, the bassist was replaced by speed-metal hero Jason Newsted. In one of their most interesting revelations, Brannigan and Winwood entertain (without fully dispelling) rumors that Burton and Hetfield had actually been conspiring to replace Ulrich, whose talents as drummer were as controversial as his talents at self-promotion were not. Though the writing is uneven, sometimes bogging the narrative’s momentum down in unnecessary verbosity, the authors’ enthusiasm for their subject is infectious. They’re well-placed to show how Metallica learned from their British New Wave of heavy-metal forebears and, in true Oedipal fashion, killed the fathers to create something new.
For metal heads and most fans of hard rock.Pub Date: Nov. 15, 2013
ISBN: 978-0-306-82186-8
Page Count: 416
Publisher: Da Capo
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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