Steady pace keeps this novel consistently riveting and often entertaining.
In Anderson’s (Light, 2015, etc.) latest thriller, it’s up to a small group of people to stop an evil corporation from disrupting the balance between the spirit and material worlds.
When someone brutally murders Wisconsin tree farmer Ellen Groves, the Pentagon sends Lt. Col. Robert McMichaels to investigate out of suspicions that terrorists are targeting soldiers’ families. He meets up with Maj. Tom Groves and quickly learns that the Groves family, including sisters Diane and Nancy, believe something else entirely is afoot. They claim Ellen was one of the Guardians of the Watchtowers, controlling the flow of energy between the spiritual world and physical world. Meanwhile, Philip Ashur, CEO of XIIMI and master of the Black Arts, is plotting to kill all the Guardians, keeping a body part from each on ice to prevent their spirits from reaching the other side. Anderson’s novel triumphantly merges thriller elements with the supernatural: what seems like a typical murder investigation eventually pits the forces of good and evil against one another. The action scenes dabble in both. Ashur’s men kidnap McMichaels’ children, for example, leading to just one of the numerous gunfights. At the same time, Diane and Nancy, as well as others, like their aunts, are capable of magic. Diane transfers her spirit to a hawk for a particularly vicious attack entailing a bit of eye gouging. The story addresses an abundance of abstract notions, including reincarnation; for instance, Shelia Ryan, an attorney whom Ashur sends to purchase Ellen’s land, may have a change of heart once she remembers her past life from centuries ago in Egypt. Fortunately, the atypical concepts work well amid a genuine threat to the more familiar world: if Ashur succeeds at closing the spirit world, restless spirits in the physical realm will turn “vile, mean, and nasty.” Romantic interests develop perhaps a little too quickly, since they all seem predestined; Diane, who’s short with McMichaels at first, warms up to him immediately when realizing they were lovers in past lives. But Anderson rounds out his story with shocking deaths and a surprising ally for the Groves clan.
Steady pace keeps this novel consistently riveting and often entertaining.Pub Date: Sept. 30, 2015
ISBN: 978-0-937491-16-4
Page Count: 558
Publisher: 2AM Publications
Review Posted Online: Nov. 23, 2015
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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