An inviting, if uneven, story of a modern-day gentleman thief.

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THE CURSE OF VAN GOGH

Debut author Hoppe offers a crime thriller about the difficulty of stealing famous art.

Tyler Sears is an art thief who’s had the bad luck of being caught more than once. After a stint in jail, “courtesy of the botched [Museo del] Prado job,” he’s decided to go straight. He attempts to live a life of normalcy as a bartender in New York City, and there, he deals with both romantic and familial difficulties. But when he’s summoned to the foreboding office of a wealthy Japanese businessman, his fears of being forced back into crime are realized. Tyler must steal a dozen well-known paintings from an upcoming art show in Washington, D.C.; the businessman is threatening his family, so he can’t fail. Relying on connections to the criminal underground and his cunning talent for planning, Tyler embarks on his mission but fears the task ahead. Added into the mix is the lovely Lucy, a girl Tyler jilted after a rendezvous in Paris but whom he can’t seem to forget. Can Tyler steal the paintings without being caught, killed or getting his heart broken? The story makes use of a range of well-scripted geographical details, jumping between New York City and Washington with frequent stops in between—including a brief foray in the Southwest—and the author shows a deep awareness of these locations. In Hoppe’s hands, Tyler stakes his claim as a cool gentleman thief: He’s a lover of fine art, liked by just about everyone he meets and never one to turn down a joint from a pretty lady. However, some readers may not have a high tolerance for an ARTnews-reading ex-felon bartender. His antagonists also tend to lack subtlety; Tyler’s employer, for example, seems strangely ambivalent about his welfare, an attitude which ultimately proves counterproductive.

An inviting, if uneven, story of a modern-day gentleman thief.           

Pub Date: N/A

ISBN: 978-1-940716-15-2

Page Count: -

Publisher: SparkPress

Review Posted Online: May 1, 2014

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This is fast-paced, nonstop fun. Cussler fans will gobble it up.

JOURNEY OF THE PHARAOHS

Rumors of lost Egyptian treasure spark high adventure in this 17th in the NUMA series featuring oceanographer Kurt Austin and his crew (Sea of Greed, 2018, etc.).

Over 3,000 years ago, grave robbers sail away with loot from a pharaoh’s tomb. In 1927, Jake Melbourne and his plane disappear in his attempt at a trans-Atlantic flight. In the present day, arms merchants known as the Bloodstone Group have taken to stealing antiquities. They are looking for a “treasure both vast and glorious” that hieroglyphics say was shipped down the Nile and out of Egypt, perhaps even west across the Atlantic. (Holy scurvy! That must’ve been a lot of hard rowing!) The criminals are known to MI5 as “very dangerous people" and "merchants selling death.” Perfectly willing to kill everyone in their way, they are aided by mechanical crows and Fydor and Xandra, nasty sibling assassins jointly called the Toymaker. Such are the foes faced by Austin and his team from the National Underwater and Marine Agency. Of course, Austin has no interest in profit; he will gladly leave the ancient riches wherever they are. Action arrives early and often, and the failed pre-Lindbergh flight fits in neatly. Cussler and Brown concoct a nifty plot with disparate, sometimes over-the-top twists that will make even hardcore adventure fans say “Wow!” Expect claustrophobic gunfights, aerial combat, a life-threatening flood, messages from the dead, coffins of gold—and a vintage classic car, because why not? “We’re going to steal the greatest deposit of Egyptian treasure the world has ever known,” brags the evil mastermind. But he’ll have to climb over the series hero’s dead body first, which—no plot spoiler here—ain’t gonna happen.

This is fast-paced, nonstop fun. Cussler fans will gobble it up.

Pub Date: March 10, 2020

ISBN: 978-0-593-08308-6

Page Count: 432

Publisher: Putnam

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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