Imaginative, moody, brilliantly written—vintage Kingsnorth, that is, and a boon for readers of speculative fiction.
Kingsnorth completes his quirky trilogy of novels set in the Norfolk fens with a post-apocalyptic story of the far future.
As The Wake (2015) opened with events of a thousand years ago, so Kingsnorth’s latest opens a millennium from now, “nine hunnerd years since Atlantis fell, since Alexandria was built.” His protagonists are part tribe, part religious community who survive in the marshes after civilization’s collapse and remember the distant past in chants and invocations: “Now World shall be as it should / For Machine is come” they sing of “the reign of Man.” They are not alone in the fens: A “Catt”—the hidden, dangerous figure that lurks in both The Wake and Beast (2017)—has been spotted, scaring some but not all; says an awestruck character named El, “every day now i am goin to Tree and lookin for him.” Kingsnorth’s characters speak in patois, blending prose poem and verse, calling to mind Russell Hoban. When the young acolyte named Lorenso comes into contact with another lurker, though, a red-cloaked figure of monstrous visage called K., the language shifts into the sturdy standard English of the present. The reasons aren’t quite clear for that, but Kingsnorth deserves points for the hat trick of writing the three novels in the series in distinct linguistic registers that suggest past, present, and future. K. instructs Lorenzo in the error of human ways: “Man was tempted, Man took power over all life. This is your fragmentary, mythologised version of what happened more than a millennium ago. You have now seen a little of what the exercise of that power amounted to.” He promises the rewards that the celestial city of Alexandria and its divine ruler, Wayland, offer, but alas, that god appears to be dead or just not listening, and the shape-shifting, quick-thinking K. finds himself stuck with the rest of what has survived of the tribe, moored in the muck and mire, but to oddly optimistic ends.
Imaginative, moody, brilliantly written—vintage Kingsnorth, that is, and a boon for readers of speculative fiction.Pub Date: Oct. 20, 2020
ISBN: 978-1-64445-035-2
Page Count: 408
Publisher: Graywolf
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
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