Well-intentioned but imperfectly executed.



In this debut novel, a wealthy American woman adopts an orphaned Indian boy to alleviate her sorrows.

In Varkala, a coastal village in southern India, 8-year-old Birendra’s beloved mother and only living parent suddenly dies. At the urging of the Nairs, his elderly neighbors, Birendra drafts a letter to his aunt and uncle in West London, with the hope they’ll come for him. When 15 days of mourning pass with no return letter, the Nairs drop Birendra off at an orphanage in Trivandrum, the state capital of Kerala. It is here where 39-year-old Madeline, an American interior decorator to the stars, takes a detour from her relaxing seaside resort to a local orphanage in an attempt to heal her heartache by becoming a mother. When she meets Birendra, she’s smitten and promptly adopts him. But Madeline spends more time contemplating throw pillows for her affluent Southern California clientele than parenting her new son, whom she calls “Bindi,” a name she deems easier to pronounce. At Bindi’s Bollywood-themed ninth birthday party, Edward, Madeline’s brother, is alarmed by his sister’s narcissism. “He had to admit: this was a party Maddy had thrown for herself. To show off the beautiful boy she’d ‘saved.’ " If Maisano’s intent was to interrogate the fraught process of international adoption, the book falters. Aside from Birendra’s aunt, the luminous Nayana, few characters have depth. The exceedingly obedient Birendra stoically accepts his circumstances. Madeline’s fantasies about motherhood via overseas adoption seem outlandish, even for the Angelina Jolies of Tinseltown. A more sympathetic and familiar adoptive parent would have done far more to drive home the author’s point. Edward may possess the conscience his sister lacks, but like Madeline, he, too, embodies the stereotypical savior. What’s missing here is a more scrupulous study of the role of privilege in international adoption and a rigorous examination of the American colonization of brown children, cultural erasure, and appropriation.

Well-intentioned but imperfectly executed.

Pub Date: Aug. 14, 2018

ISBN: 978-0-316-50948-0

Page Count: 336

Publisher: Little, Brown

Review Posted Online: May 28, 2018

Kirkus Reviews Issue: June 15, 2018

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A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth/Crown

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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