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DO YOU BELIEVE IN MAGIC?

THE SENSE AND NONSENSE OF ALTERNATIVE MEDICINE

A rousing good read, strong on human interest and filled with appalling and amazing data.

A pull-no-punches attack on the hucksterism of alternative medicine and an exposé of the federal government’s failure to regulate the vitamin and supplement industry.

Offit (Chief of the Division of Infectious Diseases, Children’s Hospital of Philadelphia; Vaccinology and Pediatrics/Univ. of Pennsylvania School of Medicine; Deadly Choices: How the Anti-Vaccine Movement Threatens Us All, 2011; etc.) relates shocking stories of the harm done to people by promoters of false claims, and he doesn’t hesitate to name names. His brief account of the lobbying and politics behind the 1994 Dietary Supplement Health and Education Act, called by the New York Times “The Snake Oil Protection Act,” is particularly eye-opening. Offit casts an especially critical eye on celebrity promoters of alternative therapies. Among those who come under his scrutiny are former actress Suzanne Somers with her so-called anti-aging product line; TV’s charismatic Dr. Mehmet Oz and his “Superstars of Alternative Medicine”: Andrew Weil and Deepak Chopra; and osteopath Rashid Buttar, a prolific author and promoter of an unlicensed anti-autism cream. Offit also gives his take on various common products that practitioners of alternative medicine claim have therapeutic value—e.g., garlic, ginkgo biloba, saw palmetto, St. John’s wort and milk thistle. Of special interest is his chapter on what has been learned about the value of the placebo response and how it explains the positive effects of some alternative therapies. The harm, he writes, comes when their promoters recommend against helpful conventional therapies, when they promote potentially dangerous therapies without warning, when they give patients false hopes and then drain their bank accounts, and, finally, when they promote magical thinking or scientific illiteracy.

A rousing good read, strong on human interest and filled with appalling and amazing data.

Pub Date: June 18, 2013

ISBN: 978-0-06-222296-1

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: April 15, 2013

Kirkus Reviews Issue: May 1, 2013

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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