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SKIN

A unique and informative, if not compelling, story hampered by too many nonessential details.

In Raffer’s debut novel, a man undergoes treatment for a life-threatening cancer and searches for his birth family.

It’s 1946 in New York City, and a young woman beset by tragedy makes the difficult decision to give up her son for adoption. The child, named Ken by his adoptive parents, grows up to become a well-respected doctor with a successful California private practice, a lovely wife and several children. As he ages, he longs to contact his birth parents, but his adoption records are sealed. When a strange rash appears on his skin later in life, he initially dismisses it; when he finally seeks medical treatment, it’s diagnosed as a rare form of cancer. Back in New York, Ken’s birth mother has built a life of her own, but she’s often troubled by thoughts of the child she gave up. Unbeknownst to her and her grown daughter, Sharon, Ken is in dire need of a stem cell transplant. Will the two families find each other in time to save Ken’s life? The author, a neurologist, draws on his own medical experience to scrupulously explain each aspect of Ken’s treatment, and readers with some understanding of science will likely enjoy this painstaking approach. Others, however, may find the technical discussions abstruse and yearn for a less clinical, more emotional treatment of the protagonist’s predicament. Raffer’s approach extends to his character’s lives as well, but often, the amount of detail becomes excessive and interferes with the plot. The novel jumps back and forth in time repeatedly to tell the full story of Ken and his biological family, with the majority of the novel devoted to Ken’s predicament. The members of Ken’s birth family, though richly described, often feel more like plot devices than fully formed supporting characters. In general, the heavy focus on his cancer treatment means that he, too, reads less like a complete human being than as a device for explicating a rare medical condition.

A unique and informative, if not compelling, story hampered by too many nonessential details.

Pub Date: Aug. 26, 2014

ISBN: 978-1499053388

Page Count: 200

Publisher: Xlibris

Review Posted Online: Dec. 9, 2014

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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