by Paul Stewart ; illustrated by Jane Porter ‧ RELEASE DATE: Aug. 6, 2019
An appropriate-enough option for caregivers who seek books that present basic messages of the benefits and beauty of...
Stewart uses a group of sheep friends to relay messages of tolerance, acceptance, and nonjudgment.
Brian is a happy and accepting sheep who greets each new addition to the flock as a potential friend and playmate. But as it grows, some of the newcomers have rules for who they will or won’t play with. Tracey and Frank “only like sheep with curly horns.” Stanley doesn’t like sheep with “plain white wool.” Brian is saddened by his new friends’ intolerance and goes off alone. When a wolf threatens all, Brian’s bravery saves the day, along with teaching the rest of the sheep that working and being together benefits everyone. In this obvious “message” story, the writing is somewhat simplistic and repetitive; despite this, young readers might have difficulty identifying and keeping track of the large cast of characters without adult guidance. The illustrations are distinctive and vivid; fans of Eric Carle will find the textured, collagelike pictures reminiscent of his classic work. There are no humans in the book, but the animal characters are plainly meant to represent a wide range of diversity.
An appropriate-enough option for caregivers who seek books that present basic messages of the benefits and beauty of diversity for the very young. (Picture book. 4-6)Pub Date: Aug. 6, 2019
ISBN: 978-1-947888-18-0
Page Count: 32
Publisher: Flyaway Books
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by John Segal & illustrated by John Segal
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by John Segal & illustrated by John Segal
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by John Segal & illustrated by John Segal
by Dana Meachen Rau ; illustrated by Wook Jin Jung ‧ RELEASE DATE: June 25, 2013
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the...
In this deceptively spare, very beginning reader, a girl assembles a robot and then treats it like a slave until it goes on strike.
Having put the robot together from a jumble of loose parts, the budding engineer issues an increasingly peremptory series of rhymed orders— “Throw, Bot. / Row, Bot”—that turn from playful activities like chasing bubbles in the yard to tasks like hoeing the garden, mowing the lawn and towing her around in a wagon. Jung crafts a robot with riveted edges, big googly eyes and a smile that turns down in stages to a scowl as the work is piled on. At last, the exhausted robot plops itself down, then in response to its tormentor’s angry “Don’t say no, Bot!” stomps off in a huff. In one to four spacious, sequential panels per spread, Jung develops both the plotline and the emotional conflict using smoothly modeled cartoon figures against monochromatic or minimally detailed backgrounds. The child’s commands, confined in small dialogue balloons, are rhymed until her repentant “Come on home, Bot” breaks the pattern but leads to a more equitable division of labor at the end.
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the rest. (Easy reader. 4-6)Pub Date: June 25, 2013
ISBN: 978-0-375-87083-5
Page Count: 32
Publisher: Random House
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
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by Dana Meachen Rau and illustrated by Melissa Iwai
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