Accessible and impressive in scope.
Historian Strathern (Napoleon in Egypt, 2008, etc.) explores the decisive influence of a ruthless Renaissance prince on both a diplomat and an artist.
Amid the shifting alliances and vulnerable kingdoms of 15th-century Italy, Cesare Borgia (1475–1507), the illegitimate son of Pope Alexander VI, assumed unchecked power at a young age when his father put him at the head of the warring papal forces. Aided by the invading army of France’s Louis XII, Borgia was urged by his father to carve out his own power base in Romagna, and by 1500 he had duly subdued it, along with Urbino and other city states. Florence bordered this region and was essentially defenseless, so able negotiator Niccolò Machiavelli was sent as part of a three-man delegation to press for Florence’s protection. Up close, Machiavelli could observe this exemplary warrior, known for his treachery, depravity and brilliance, and the diplomat later made Borgia the subject of The Prince. As part of his effort to appease the rapacious ruler, Machiavelli offered the services of Florentine native Leonardo da Vinci, an expert military engineer as well as celebrated painter and designer. During the next eight months, da Vinci toured Borgia’s fortifications and suggested improvements, as evidenced by the notebook sketches reproduced here. At the same time, the artist/humanist was digesting the moral ramifications of aiding Borgia’s military engine and finding them deeply repugnant. Meanwhile, Machiavelli was using the experience derived from diplomatic duties in the service of purely self-interested rulers like Borgia to set forth a new “science” of statecraft. Both artist and philosopher were irreparably marked by personal contact with “humanity’s evil nature,” argues Strathern in this rigorous and scholarly yet readable study of the confluence of three major Renaissance figures.
Accessible and impressive in scope.Pub Date: Oct. 1, 2009
ISBN: 978-0-553-80752-3
Page Count: 480
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2009
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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