by Paul Theroux ‧ RELEASE DATE: May 8, 2000
for the first time. (Author tour)
The prolific Theroux (Sir Vidia’s Shadow, 1998, etc.) gives full vent to his wanderlust in this virtuoso collection of travel
essays, all but one of which were written after his prior aggregation, Sunrise With Seamonsters (1984). Like Thoreau, who is something of a kindred spirit, Theroux combines a flinty individualism verging on crankiness, a curiosity about all manner of things, an almost pantheistic delight in nature, and a real grace of expression. Writing, he notes, is "like digging a deep hole and not quite knowing what you are going to find, like groping in a dark well-furnished room—surprises everywhere, and not just remarkable chairs but people murmuring in the weirdest postures." This description is just as apt, however, for explaining how he approaches the travel genre. As well as anyone writing in this deceptively narrow vein, Theroux understands how to filter the sights and sounds of such places as an African bush, the Yangtze River, or Christmas Island through the prism of his own personality. Essays are grouped thematically in sections dealing with his reminiscences, experiences as a kayaker and bicyclist, China, the Pacific, books of travel (by himself and others), profiles and appreciations of other writers, "fugues" about bizarre practices of other cultures, and other places in Europe, Asia, and the US. Theroux can assume all sorts of guises: reporter (sharp dissections of pre-Tiananmen Square China and pre-takeover Hong Kong), Boswell to other writers similarly compelled to write about the world (Bruce Chatwin, Graham Greene), critic (a review of William Least Heat-Moon’s PrairyErth), and lover of solitude (too numerous to mention). He can be scathingly funny on his Peace Corps experiences, discerning on the rigors of polar exploration, clinical on illnesses he’s contracted on five different continents, and lyrical on exotic lands threatened by commercialization. A feast for both Theroux aficionados and those lucky enough to experience his distinctive world-view and evocative prose
for the first time. (Author tour)Pub Date: May 8, 2000
ISBN: 0-618-03406-4
Page Count: 480
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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