If you can get past the false modesty of the narrator, whose allusions to his discarded fame only make him sound smug,...
“We’re multistory,” explains Buddy Hamstra, owner of the Hotel Honolulu, describing in a word not only the setting but the narrative structure of Theroux’s tale of a burned-out, middle-aged writer seeking salvation at the edge of paradise.
In the frame tale, profane, effusive Buddy, as pleased to be able to say that his manager wrote a book as he is to retire to his mansion, drink recklessly, and screw his masseuse, hires the nameless narrator to run his down-at- heels hotel. The manager, meantime, seduces Sweetie, daughter of the hotel’s resident prostitute, Puamana Wilson, who bore Ku‘uipo—Hawaiian for “sweetheart”—27 years ago after a brief encounter with a mainlander reputed to be JFK. When Sweetie gets pregnant, the manager marries her. (Condoms seem unknown in fecund Hawaii, where couples routinely engage in unprotected sex until they produce exactly one child.) Leaving the management of the hotel to his capable staff, he then settles down contentedly with his pretty, semiliterate wife and his precocious daughter Rose to watch his guests, whose stories burst forth like seeds from an overripe papaya. We meet Hobart Flail, eternal pessimist, whose doomsaying keeps ringing true; poisonous Madam Ma, whose flagrant attention-seeking takes a fatal turn; Jasmine the hooker, whose men pay her to leave; and socialite Mrs. Bunny Arkle, whose men pay her to stay. Eight-year-old Rose sagely reminds us that, while all happy stories are the same, unhappy stories are all different. So death is a frequent theme, as is incest—Puamana is raped by her father, Buddy’s wife Pinky by her uncle, and Mahina, an adopted daughter in search of her real father, is inevitably molested by him. What to make, then, of the narrator’s paternal fascination with Rose?
If you can get past the false modesty of the narrator, whose allusions to his discarded fame only make him sound smug, there’s wonder on every floor of the Hotel Honolulu.Pub Date: May 9, 2001
ISBN: 0-618-09501-2
Page Count: 432
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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