Theroux has recaptured the sweep and density of his 1981 masterpiece The Mosquito Coast. That’s some achievement.
A joyful return to Africa turns into a nightmare for the elderly American protagonist of Theroux’s extraordinary novel.
As a young man, Ellis Hock loved teaching in Malawi for the Peace Corps, happiest years of his life. (Theroux did a hitch there; see his early novel Jungle Lovers.) Then he had to return to suburban Boston to run the men’s-clothing store he’d inherited. Thirty-five years later, the store and his marriage having failed, he returns to Malawi for a nostalgia-induced vacation. He’s warned on arrival that people are hungry and only want money, but he heads into the bush with a bagful of it, another mzungu (white man) who knows best. Malabo, the remote riverbank village where he’s remembered as the mzungu who helped build the school and clinic, gives him a warm welcome, but Hock’s disillusion sets in fast. The school is a ruin; the visiting doctor is a quack; AIDS is rampant; requests for money are constant. The villagers keep him under surveillance at the direction of the headman Manyenga, who is all smiles and lies. One bright spot is his reunion with Gala, the woman he loved, and the presence of her 16-year-old granddaughter Zizi, who waits on Hock and is fiercely loyal to him. The snakes, too, are a blessing. They terrify the villagers, but Hock handles them fearlessly, using them as protection once he realizes he is being held captive. He makes three escape attempts. The second takes him downriver into Mozambique. There Hock runs into a community of starving but deadly children and a food drop, horribly bungled by white Westerners; these scenes are devastating. All his escapes are foiled by the formidable Manyenga. The suspense is enriched by Theroux’s loving attention to local customs and his subversive insights. As Hock weakens in body and spirit, Zizi just grows stronger. Could she be his savior?
Theroux has recaptured the sweep and density of his 1981 masterpiece The Mosquito Coast. That’s some achievement.Pub Date: May 22, 2012
ISBN: 978-0-547-74650-0
Page Count: 336
Publisher: Houghton Mifflin Harcourt
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
Steinbeck is a genius and an original.
Steinbeck refuses to allow himself to be pigeonholed.
This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel." It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define. Steinbeck is a genius and an original.Pub Date: Feb. 26, 1936
ISBN: 0140177396
Page Count: 83
Publisher: Covici, Friede
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Feb. 1, 1936
IN THE NEWS
SEEN & HEARD
A novel of horrific beauty, where death is the only truth.
Even within the author’s extraordinary body of work, this stands as a radical achievement, a novel that demands to be read and reread.
McCarthy (No Country for Old Men, 2005, etc.) pushes his thematic obsessions to their extremes in a parable that reads like Night of the Living Dead as rewritten by Samuel Beckett. Where much of McCarthy’s fiction has been set in the recent past of the South and West, here he conjures a nightmare of an indeterminate future. A great fire has left the country covered in layers of ash and littered with incinerated corpses. Foraging through the wasteland are a father and son, neither named (though the son calls the father “Papa”). The father dimly remembers the world as it was and occasionally dreams of it. The son was born on the cusp of whatever has happened—apocalypse? holocaust?—and has never known anything else. His mother committed suicide rather than face the unspeakable horror. As they scavenge for survival, they consider themselves the “good guys,” carriers of the fire, while most of the few remaining survivors are “bad guys,” cannibals who eat babies. In order to live, they must keep moving amid this shadowy landscape, in which ashes have all but obliterated the sun. In their encounters along their pilgrimage to the coast, where things might not be better but where they can go no further, the boy emerges as the novel’s moral conscience. The relationship between father and son has a sweetness that represents all that’s good in a universe where conventional notions of good and evil have been extinguished. Amid the bleakness of survival—through which those who wish they’d never been born struggle to persevere—there are glimmers of comedy in an encounter with an old man who plays the philosophical role of the Shakespearean fool. Though the sentences of McCarthy’s recent work are shorter and simpler than they once were, his prose combines the cadence of prophecy with the indelible images of poetry.
A novel of horrific beauty, where death is the only truth.Pub Date: Oct. 2, 2006
ISBN: 0-307-26543-9
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
PERSPECTIVES
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