The characters and motivations lack balance, but the storytelling and Daly’s voice are top-drawer.
Daly’s debut novel explores how interpersonal relationships wax and wane following the disappearance of a local child.
Lisa Kallisto is one of those overworked, overscheduled mothers who never secure enough sleep at night. After getting her three kids off to school, working all day as the manager of a charitable animal shelter and taking care of her household, she’s lucky to get a few minutes to herself. So when her daughter’s friend Lucinda turns up missing after she was supposed to spend the night at Lisa’s home, Lisa is full of blame and self-loathing. And she’s not the only one who finds herself at fault: Most of Lucinda’s family, the police and even her own husband, Joe, think Lisa should have paid more attention to what the two young teens were doing. Now, it looks like the kidnapper, who has already abducted one other girl, is at it again, and Lisa is trying to put the pieces together. So is Joanne Aspinall, an investigator with the local police in the small English town where both Lisa’s and Lucinda’s families live, and Joanne’s finding that things are growing more and more curious as the pieces to the puzzle refuse to fit together. Daly has a nice writing style: It’s casual, readable and full of natural-sounding dialogue. Readers will like Lisa, the protagonist, but most likely be puzzled at her insistence (and that of others around her) that it’s all her fault. That hole in the basic premise doesn’t constitute a fatal flaw, but if Daly really wanted Lisa to have her hands dirty, she could have made her part in the proceedings stronger. As it is, readers may find themselves puzzled over the degree of angst and self-recrimination that hovers around Lisa throughout the book. And Joanne, although likable, comes off as weak and sports an irritating habit of turning her phone off, meaning she misses vital calls.
The characters and motivations lack balance, but the storytelling and Daly’s voice are top-drawer.Pub Date: Sept. 3, 2013
ISBN: 978-0-8021-2162-2
Page Count: 256
Publisher: Grove
Review Posted Online: July 6, 2013
Kirkus Reviews Issue: July 15, 2013
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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