Next book

JOURNEY INTO YOUR RAINFOREST MIND

A FIELD GUIDE FOR GIFTED ADULTS AND TEENS, BOOK LOVERS, OVERTHINKERS, GEEKS, SENSITIVES, BRAINIACS, INTUITIVES, PROCRASTINATORS, AND PERFECTIONISTS

A practical follow-up with fewer anecdotes and more concise advice.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Prober’s (Your Rainforest Mind, 2016) latest book once again examines what it means to be a “rainforest-minded” person.

This volume works as a companion to the author’s previous work or as a stand-alone. In it, the author reintroduces her concept of “rainforest-minded” people, who are defined as being highly sensitive, empathetic, creative, and intelligent. This book has a more user-friendly approach than the last one, as it primarily compiles popular posts from the author’s website. Each chapter addresses a different topic, such as perfectionism, loneliness, worry and anxiety, and multipotentionality (or “having many interests and abilities”). Some of the topics were discussed in the previous book, but there are new subjects, as well; the chapter “Find Your Pips,” for instance, discusses how to create imaginary support personnel to provide encouragement when no one else can. Many chapters include questions to help readers determine how they fit into a particular category, suggestions on how to cope, or instructions for various activities. Prober succeeds in her stated goal to make this second book a “light-hearted” and “faster read” when compared to the first. She mentions some case studies, but overall, this text has less of a clinical feel, and the practicality and feasibility of the questions make it an accessible workbook. Prober also brings a great deal of levity to this text, including gems such as “a narcissist doesn’t worry that he’s a narcissist because he’s a narcissist,” and “my memoir will be much more fascinating if I make some ridiculous decisions.” The author’s inclusion of self-deprecating, age-related humor, however, doesn’t enhance the book and feels more bitter than lighthearted. The text ends with an uplifting epilogue and a list of further resources.

A practical follow-up with fewer anecdotes and more concise advice.

Pub Date: June 18, 2019

ISBN: 978-1-64388-104-1

Page Count: 178

Publisher: Luminare Press, LLC

Review Posted Online: Jan. 3, 2020

Kirkus Reviews Issue: Feb. 15, 2020

Categories:
Next book

IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

Next book

A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

Categories:
Close Quickview