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of the lilin

Ambitious, entertaining start to a sexy YA paranormal adventure series.

Awards & Accolades

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In this debut fantasy novel, after family tragedy, college-age Sage Frankle discovers her supernatural capabilities and bloodline legacy.

Sage stands numb in front of a casket. She recently lost her mom to cancer, and now her stepfather’s friend David has died of unexpected heart failure. Her stepfather, off the wagon and wild with grief, tries to strangle her, and Sage’s world goes black. Before she knows it, her stepfather is in an alcohol treatment center, and she has put her college classes on hold to live with her aunt Ilia at the latter’s inn in another part of Vermont. Sage goes for counseling but is too depressed, too scared to delve deep. She doesn’t remember what happened with David, but she seems to read others’ thoughts and has been having odd dreams. Her cousin Lilly, who had left for a trip around the time of David’s demise, returns home, drawing to the surface the dark energy lurking throughout the inn. Sage either sees or imagines Lilly in bondage sex with the local “Playboy Chef,” who is then weakened by a mystery illness. Handsome, angelic Lucien, whom Lilly treats as her master, arrives on the scene, as do Tate, a sweet, nerdy mythology major and son of the ailing chef, and Desden, Sage’s gay tattoo artist best friend from home. As Sage’s strange behavior escalates, Ilia finally explains all, and the group bands together to deal with the girls’ powers and the “portal” gateway of the inn. To launch this planned series of tales focused on these alluring young women, debut author Hampton sets up a diverse cast of players and a solid, believable back story that draws from Jewish folklore. Some of the characters, such as a crime writer who’s a frequent guest at the inn, are rather awkwardly introduced, perhaps to be further developed in future installments. Overall, however, Hampton conjures a heady blend of eroticism, fantasy, humor and coming-of-age angst that should appeal to both Twilight and Buffy the Vampire Slayer fans.

Ambitious, entertaining start to a sexy YA paranormal adventure series.

Pub Date: Feb. 6, 2014

ISBN: 978-0615964560

Page Count: 360

Publisher: CreateSpace

Review Posted Online: June 14, 2014

Kirkus Reviews Issue: July 15, 2014

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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