by Pauline Gedge ‧ RELEASE DATE: May 1, 1997
Ancient history comes alive and stays that way as Thu, the Egyptian peasant in Lady of the Reeds (1995) who became a pharaoh's concubine and was then banished, now triumphantly vindicates herself. Like its predecessors, this fifth in a series is set at the height of ancient Egypt's influence. Gedge excels at setting the scene and subtly evoking a sense of the period as she tells a timeless story of greed, love, and revenge—a story that picks up 17 years after Thu has been banished to her native village of Aswat for her part in a plot to murder the Pharaoh Ramses. Kamen, a young soldier and the adopted son of a merchant, now on his way back from Nubia, spends the night in Aswat and is accosted by a blue-eyed woman who asks him to deliver an intricately bound package to the pharaoh. Kamen's companions dismiss the woman as mad, but he himself, not entirely convinced of her madness, agrees to take it. Back in the capital, he hands it over to his commanding general Paiis, and when Paiis realizes what the package contains—Thu's account of the role Paiis and others played in the plot to murder Ramses—he and his co-conspirators act quickly. Kamen is commanded to bring the woman to the city, and so, once again in Aswat, he and Thu narrowly escape an assassin. As Thu seeks a hearing in the capital, she and Kamen are ruthlessly hunted down by the former plotters. Only the intervention of the dying Ramses and his heir saves them. Justice is done, and Thu is not only reunited with her long-lost son but meets up again with the only man she's ever loved—the man who used, deserted, but never forgot her. Thu is larger than life, and coincidences abound, but Gedge is so splendid a teller of tales that all is forgiven. First-class historical fiction.
Pub Date: May 1, 1997
ISBN: 1-55921-200-4
Page Count: 448
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
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by Susan Crandall ‧ RELEASE DATE: July 2, 2013
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.
Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.
Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.Pub Date: July 2, 2013
ISBN: 978-1-4767-0772-3
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 20, 2013
Kirkus Reviews Issue: June 15, 2013
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by Lisa Wingate ‧ RELEASE DATE: June 6, 2017
Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her...
Avery Stafford, a lawyer, descendant of two prominent Southern families and daughter of a distinguished senator, discovers a family secret that alters her perspective on heritage.
Wingate (Sisters, 2016, etc.) shifts the story in her latest novel between present and past as Avery uncovers evidence that her Grandma Judy was a victim of the Tennessee Children’s Home Society and is related to a woman Avery and her father meet when he visits a nursing home. Although Avery is living at home to help her parents through her father’s cancer treatment, she is also being groomed for her own political career. Readers learn that investigating her family’s past is not part of Avery's scripted existence, but Wingate's attempts to make her seem torn about this are never fully developed, and descriptions of her chemistry with a man she meets as she's searching are also unconvincing. Sections describing the real-life orphanage director Georgia Tann, who stole poor children, mistreated them, and placed them for adoption with wealthy clients—including Joan Crawford and June Allyson—are more vivid, as are passages about Grandma Judy and her siblings. Wingate’s fans and readers who enjoy family dramas will find enough to entertain them, and book clubs may enjoy dissecting the relationship and historical issues in the book.
Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her fictional characters' lives.Pub Date: June 6, 2017
ISBN: 978-0-425-28468-1
Page Count: 352
Publisher: Ballantine
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
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by Lisa Wingate
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